[Harp-L] Suzuki SUB-30 & "Double Reed" bends (Laurent Vigouroux)

Mon Aug 28 13:33:38 EDT 2023

________________________________

You stated that there are only four tongue positions used to produce all bends and overblows.
Does that account for tongue blockers, too?
Related question.  Has anyone done OB, tongue blocking?
________________________________
From: Harp-L <harp-l-bounces at xxxxx> on behalf of harp-l-request at xxxxx <harp-l-request at xxxxx>
Sent: Monday, August 28, 2023 6:24 AM
To: harp-l at xxxxx <harp-l at xxxxx>
Subject: Harp-L Digest, Vol 240, Issue 9

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Today's Topics:

   1. Re: Suzuki SUB-30 & "Double Reed" bends (Laurent Vigouroux)
   2. Harmonicaster Electric Harmonica (Ronnie Schreiber)
   3. Re: Harmonicaster Electric Harmonica (Gary Lehmann)
   4. Re: Half valving (Steve Baker)
   5. Buzz Krantz obituary (bad_hat at xxxxx)
   6. Fantastic Amp recommendation, and brilliant PodCast by Norah
      Jones featuring Mickey Raphael (Trip Henderson)

----------------------------------------------------------------------

Message: 1
Date: Wed, 23 Aug 2023 15:49:47 +0000
From: Laurent Vigouroux <laurent.vigouroux at xxxxx>
To: Rick Dempster <rickdempster33 at xxxxx>
Cc: Tom Halchak <info at xxxxx>, Michael Rubin
        <michaelrubinharmonica at xxxxx>, "harp-l at xxxxx"
        <harp-l at xxxxx>
Subject: Re: [Harp-L] Suzuki SUB-30 & "Double Reed" bends
Message-ID:
        <PA4P189MB1422BEAC1CB46E8F1AA15311F71CA at xxxxx>

Content-Type: text/plain; charset="utf-8"

Hello Rick

Looks like we have different background and point of view, which is great as it allows to debate and elevate each other ?

?Both reeds continue to vibrate, producing not only the sought for note, but a lot of harmonics, which is why it sounds so much richer than an 'overbend'. An OB is a single reed bend, played in reverse; that is to say, the air is flowing from tip to rivet (or anchor point)?
Actually, while it?s true for most holes,  I believe this is not true for all the notes. As I pointed out, 3?? is actually a 3 overdraw in essence. And the 2? is a 2 overdraw. Only the blow reed is vibrating and we?re drawing -> overdraw
And the 3? is only the draw reed vibrating with less speed (no implication of the blow reed to produce this note).

But I?m nitpicking a bit there ?

What?s important is that the tongue position to produce bends and overblows are exactly the same on a given hole (4? = 4?, 6?=6? in terms of tongue positions).
Actually there even is only 4 tongue positions to produce all the bends and overbends!

For examples all these notes are produced with the same tongue position:
2?, 3?, 4?, 6?, 4?, 5? and 6?
And these one share the same other tongue position:
8?,9?,10??,7?,8?,9?,10?

Finding these tongue positions allows to play melody and licks involving these notes with a good sound.
All this has been discovered by S?bastien Charlier.

Going back to the sound itself. You?ve said:
?All due respect to all those great overbenders out there; but I can spot an OB a mile off. Sounds like a reed being tortured in solitary confinement to me!
I guess you haven?t the chance to ear great overbenders yet ?
I would bet one of my harps you would not be able to spot the overnotes on Sebastien Charlier?s and J?r?me Peyrelevade?s albums (I?m citing them because I know their albums well).

Actually, I tend to think that even me, an amateur player, can produce rather clean overnotes.
I?ve recorded 3 phrases using overblows for an article I?m preparing for Planet Harmonica.
It seems to me they don?t sound too bad.
The first one is actually the tricker to make sound well, and I do hear the overblows when I listen to it. But I would say it?s reasonable.
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Ftinyurl.com%2Foverblows&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=AbjVGIaugVjGeRyn1asjOSXOGFvr683TjoI5r6spbxI%3D&reserved=0<https://tinyurl.com/overblows>

I would be happy to have your feedback.

Happy Harpin?

Laurent

------------------------------

Message: 2
Date: Wed, 23 Aug 2023 17:13:06 -0400
From: Ronnie Schreiber <autothreads at xxxxx>
To: "harp-l at xxxxx" <harp-l at xxxxx>
Subject: [Harp-L] Harmonicaster Electric Harmonica
Message-ID: <64ab49b5-6e34-4fee-3623-d498f0bfba9f at xxxxx>
Content-Type: text/plain; charset=UTF-8; format=flowed

After more than nine years of continuous development based on feedback
(no pun intended) from many of the world's greatest harmonica players,
I'm happy to announce that I'm taking orders on the all-new, completely
reimagined Harmonicaster electric harmonica. A true electric instrument,
with steel reeds and inductive magnetic pickups, not a microphone, it
has a vibrant and exciting native tone, you can play as loudly as you
want to without feedback (and use virtually any amp without worrying
about too much gain or impedance matching issues), and it's compatible
with effects devices and pedals, greatly expanding your tonal palette.
Based on Seydel's stainless steel reeds and custom Lace Alumitone
pickups designed in close cooperation with Jeff Lace that are thin
enough to fit inside our harmonicas, the Harmonicaster is a fully
playable, professional harmonica, all bends included, and compatible
with whatever embouchure you might use. Onboard volume, bass, and treble
controls are at your fingertips, allowing for swells, vibrato, and
tremolo effects. You can change keys in seconds, made even easier by
color coded coverplates and combs, and our harmonicas securely latch to
the control housing with embedded neodymium magnets.
Compact and lightweight, the ergonomically designed Harmonicaster system
is about half the height of a bullet microphone, and weighs just 204
grams with a harmonica compared to about 350 grams for a JT-30 and 410
grams for a Green Bullet.
This is not meant to replace traditional cupped mic harmonica any more
than the electric guitar replaced the acoustic guitar. While it didn't
replace acoustics, the electric guitar took that instrument places where
it hadn't been before and continues to create new sounds today.
Likewise, think of the Harmonicaster as a new tool for your tonal
toolbox. Just to be able to play as loudly as you want to in a live
performance without worrying about howling feedback is something
harmonica players have wanted since whoever it was that first cupped a
harp to a microphone. Of course, if it didn't sound good it wouldn't
matter if it didn't feed back, but the Harmonicaster has a musical,
electric tone and that tone can be further shaped and crafted with the
use of pedals and effects devices.
No, you can't use your own harmonicas. The Harmonicaster is a system. To
begin with, most harmonicas are made with brass or bronze reeds and
those simply won't work with electromagnetic pickups. Secondarily,
Harmonicaster harmonicas are designed to accommodate the pickups and
mate securely with the Harmonicaster pickup and control housing.
Additionally, while we're using Seydel reeds, reedplates, and combs,
Seydel is assembling them to our specifications to work with the
Harmonicaster system.
"Made in the Motor City" - The Harmonicaster is assembled in the Detroit
area, with domestic and imported components. The harmonica components
come from Germany. The pickups are fabricated and assembled in the
United States (with work done in Michigan, Nevada, and California). The
control PCB and surface mount assembly is by JLC in China, with final
assembly in Michigan. MG Chemicals' high-conductivity carbon-based
shielding paint keeps things quiet and we use multi-contact Pure-Tone
jacks for crackle-free performance. The plastic parts are made in our
own shop and finished with a high gloss, durable, food-safe 2K
automotive clear coat.
Retail price: $325 with one Harmonicaster harmonica in the key of A.
Additional harmonicas (LF,G,Ab,A,Bb,C,D,Eb,E,F) are $85.

*More details and ordering information athttps://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.harmonicaster.com%2F&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=NjxoOcnjgEnmE5KsWYBYCn1n1kw1jR1KfO3Y7HWR1q0%3D&reserved=0
<https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.harmonicaster.com%2F%3Ffbclid%3DIwAR1m9xwTb0o4hODrFtAu5Knfvy2avmtHg3WQydpQFhV_QOgdoZWa2fCi5T0&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=u3yLccULfHotxXj1W%2BKdHPXySPXhz7s3PNYNembovwA%3D&reserved=0<http://www.harmonicaster.com/?fbclid=IwAR1m9xwTb0o4hODrFtAu5Knfvy2avmtHg3WQydpQFhV_QOgdoZWa2fCi5T0>>
*

*Thanks for your time,*

*Ronnie Schreiber
The Electric Harmonica Co.*
**

------------------------------

Message: 3
Date: Thu, 24 Aug 2023 08:26:58 -0500
From: Gary Lehmann <gnarlyheman at xxxxx>
To: Ronnie Schreiber <autothreads at xxxxx>
Cc: harp-l at xxxxx
Subject: Re: [Harp-L] Harmonicaster Electric Harmonica
Message-ID: <BCB86644-B5C6-40AA-B044-813C6261F8E1 at xxxxx>
Content-Type: text/plain; charset=utf-8

Great news, I look forward to seeing what new music your product will enable in the hands of professionals!

Sent from my iPhone

> On Aug 23, 2023, at 11:32 PM, Ronnie Schreiber <autothreads at xxxxx> wrote:
>
> ?After more than nine years of continuous development based on feedback (no pun intended) from many of the world's greatest harmonica players, I'm happy to announce that I'm taking orders on the all-new, completely reimagined Harmonicaster electric harmonica. A true electric instrument, with steel reeds and inductive magnetic pickups, not a microphone, it has a vibrant and exciting native tone, you can play as loudly as you want to without feedback (and use virtually any amp without worrying about too much gain or impedance matching issues), and it's compatible with effects devices and pedals, greatly expanding your tonal palette.
> Based on Seydel's stainless steel reeds and custom Lace Alumitone pickups designed in close cooperation with Jeff Lace that are thin enough to fit inside our harmonicas, the Harmonicaster is a fully playable, professional harmonica, all bends included, and compatible with whatever embouchure you might use. Onboard volume, bass, and treble controls are at your fingertips, allowing for swells, vibrato, and tremolo effects. You can change keys in seconds, made even easier by color coded coverplates and combs, and our harmonicas securely latch to the control housing with embedded neodymium magnets.
> Compact and lightweight, the ergonomically designed Harmonicaster system is about half the height of a bullet microphone, and weighs just 204 grams with a harmonica compared to about 350 grams for a JT-30 and 410 grams for a Green Bullet.
> This is not meant to replace traditional cupped mic harmonica any more than the electric guitar replaced the acoustic guitar. While it didn't replace acoustics, the electric guitar took that instrument places where it hadn't been before and continues to create new sounds today. Likewise, think of the Harmonicaster as a new tool for your tonal toolbox. Just to be able to play as loudly as you want to in a live performance without worrying about howling feedback is something harmonica players have wanted since whoever it was that first cupped a harp to a microphone. Of course, if it didn't sound good it wouldn't matter if it didn't feed back, but the Harmonicaster has a musical, electric tone and that tone can be further shaped and crafted with the use of pedals and effects devices.
> No, you can't use your own harmonicas. The Harmonicaster is a system. To begin with, most harmonicas are made with brass or bronze reeds and those simply won't work with electromagnetic pickups. Secondarily, Harmonicaster harmonicas are designed to accommodate the pickups and mate securely with the Harmonicaster pickup and control housing. Additionally, while we're using Seydel reeds, reedplates, and combs, Seydel is assembling them to our specifications to work with the Harmonicaster system.
> "Made in the Motor City" - The Harmonicaster is assembled in the Detroit area, with domestic and imported components. The harmonica components come from Germany. The pickups are fabricated and assembled in the United States (with work done in Michigan, Nevada, and California). The control PCB and surface mount assembly is by JLC in China, with final assembly in Michigan. MG Chemicals' high-conductivity carbon-based shielding paint keeps things quiet and we use multi-contact Pure-Tone jacks for crackle-free performance. The plastic parts are made in our own shop and finished with a high gloss, durable, food-safe 2K automotive clear coat.
> Retail price: $325 with one Harmonicaster harmonica in the key of A. Additional harmonicas (LF,G,Ab,A,Bb,C,D,Eb,E,F) are $85.
>
> *More details and ordering information athttps://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.harmonicaster.com%2F&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=NjxoOcnjgEnmE5KsWYBYCn1n1kw1jR1KfO3Y7HWR1q0%3D&reserved=0 <https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.harmonicaster.com%2F%3Ffbclid%3DIwAR1m9xwTb0o4hODrFtAu5Knfvy2avmtHg3WQydpQFhV_QOgdoZWa2fCi5T0&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=u3yLccULfHotxXj1W%2BKdHPXySPXhz7s3PNYNembovwA%3D&reserved=0<http://www.harmonicaster.com/?fbclid=IwAR1m9xwTb0o4hODrFtAu5Knfvy2avmtHg3WQydpQFhV_QOgdoZWa2fCi5T0>>
> *
>
> *Thanks for your time,*
>
> *Ronnie Schreiber
> The Electric Harmonica Co.*
> **

------------------------------

Message: 4
Date: Thu, 24 Aug 2023 16:43:05 +0200
From: Steve Baker <steve at xxxxx>
To: Harp-L <harp-l at xxxxx>
Cc: Tom Halchak <info at xxxxx>
Subject: Re: [Harp-L] Half valving
Message-ID: <51ABEF08-9354-478C-BACD-605E5D711942 at xxxxx>
Content-Type: text/plain;       charset=utf-8

I would question whether Brendan Power ?invented? half valving. This technique has been know for many years, I believe Don Les used to play such instruments in the 1970s and 80s. Personally I adopted this method around 1990 and recorded a folk album in 1992 where I made extensive use of half valved harps (Strange Move, with English singer/guitarist Vic Abram).

I don?t in any way wish to diminish Brendan?s remarkable achievements in harmonica design, but the principle of the auxiliary reed, as used in the XB40 and later in the SUB30, was invented by Will Scarlett in the 1970s. He showed his 3-reed prototype (which I have also seen) to Rick Epping, who developed the idea further and then patented it, before persuading Hohner to make the XB40 using the principle of auxiliary reeds.

It?s a pity Hohner decided to discontinue this model. I told them (and Rick) when it came onto the market that players would need at least 10 years to become accustomed to using it and this has proved to be the case. Nobody wanted to believe this at the time, but it meant that the numbers were commercially disappointing and the patent was allowed to lapse.

I no longer use half valved harps, I got fed up with the well known problems of valves sticking, blocking or squeaking and dropped the idea shortly after making the above mentioned album. But if you don?t play too wet it works really well and in my opinion is both cheaper and more practical than either XB40 or SUB30.

Steve Baker
https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.stevebaker.de%2F&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=8wgvj7yV56LkwD9%2BgA7zFVcCbBHcYBp06j4vweyS6cI%3D&reserved=0<http://www.stevebaker.de/>
https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.harmonica-masters.de%2F&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=5Gf3clEfH4sm%2Bfx82sfcVmT35Kv5VmQOE5fTnu9aW3s%3D&reserved=0<http://www.harmonica-masters.de/>

------------------------------

Message: 5
Date: Thu, 24 Aug 2023 16:40:17 -0700
From: bad_hat at xxxxx
To: harp-l <harp-l at xxxxx>
Subject: [Harp-L] Buzz Krantz obituary
Message-ID: <7a0e70a2-a9bb-e127-b895-ddb027e75923 at xxxxx>
Content-Type: text/plain; charset=UTF-8; format=flowed

Edward Peter Krantz, Jr., affectionately known as Buzz, passed away on
August 20, 2023, at the age of 82 in Montgomery County, IL. He was born
on June 10, 1941, in Chicago, IL. Buzz was a beloved husband to Pam, a
caring father to Eric and Jeffrey, and a proud grandfather to Jeffrey
and Stephen. He was preceded in death by his mother Margaret, father
Edward Peter, Sr., and sister Marilyn.

Buzz was a remarkable individual with a deep passion for blues music,
particularly playing the harmonica. His love for this instrument led him
to join the Windy City Harmonica Club in the late 1980s, where he became
an active member and eventually served as club president for several
terms. His dedication and commitment made the club one of the most
respected in the country. Buzz's enthusiasm for the harmonica extended
beyond the club, as he attended the SPAH Harmonica Convention since 1990
and formed countless close friendships through his role as an ambassador
for the instrument. He received numerous awards for his contributions to
the harmonica community.

Throughout his life, Buzz was involved in playing the harmonica with
various bands, including the Cook County Blues Band, The Q-Balls, and
the JB Ritchie Blues Band, among others. He also frequented and played
in Northwest suburb blues jams, where he made lasting connections with
fellow musicians and friends.

In addition to his musical pursuits, Buzz had a fulfilling career as a
truck driver, dedicating 38 years of service to Airborne Express (now
DHL) before retiring.

Friends and family are invited to pay their respects at the Ahlgrim &
Sons Funeral Home located at 330 W. Golf Rd., Schaumburg/Hoffman
Estates, IL 60195, on Thursday, August 31, 2023. The visitation hours
will be from 3:00 p.m. to 8:00 p.m., with a non-denominational service
taking place at 6:00 p.m.

In lieu of flowers, contributions can be made to honor Buzz's memory to
any lung or Heart Association; S.P.A.H. Society for the Preservation and
Advancement of the Harmonica; the Blues Foundation HART Fund (Handy
Artists Relief Trust); the Trickster Cultural Center (dedicated to
Native American traditions, social advocacy, and education), or any
charitable organization of your choice.
Buzz will be deeply missed by his family, friends, and all those whose
lives he touched with his love for music and his warm personality. May
his soul rest in eternal harmony.

To send flowers to the family
or plant a tree in memory of Edward, please visit our floral store.

To plant trees in memory, please visit the Sympathy Store.

------------------------------

Message: 6
Date: Sun, 27 Aug 2023 15:22:37 -0400
From: Trip Henderson <trip.tunes at xxxxx>
To: harp-l <Harp-L at xxxxx>
Subject: [Harp-L] Fantastic Amp recommendation, and brilliant PodCast
        by Norah Jones featuring Mickey Raphael
Message-ID:
        <CALPTyEkpT8vYteJxEPSLw6x5DHqxV49WdXkRehs5zg33eY6uBQ at xxxxx>
Content-Type: text/plain; charset="UTF-8"

#1:

I used this amp last Friday here in Brooklyn on a trio gig at Sunny's Bar
with upright bass, both electric and acoustic guitars along with my Mickey
Raphael inspired Beyer M69 TG mic. It sounded AMAZING!

The AER Compact "TE Tommy Emmanuel" 60W signature acoustic amp. The amp is
a small, powerful, yet a simple-to-use complete solution for stage, studio
and home use that works up to the highest demands of multi-talented
musicians including harp players. AER has incorporated a reverb/delay
effect setting from the Alesis Midiverb II into the Compact TE's onboard
effects section. Additionally, contrary to the standard Compact 60, the DI
Out signal will incorporate the onboard effects. Features: 60 watts,
dynamic control 8" twin cone speaker Twin channel, 3 and 2 band EQ (Channel
1: 1/4" input; Channel 2: combined XLR/1/4" input) Colour switch (for mid
cut/treble boost) Digital effect processor with 4 presets Connections:
Headphones Out; Line Out; DI Out, External effects loop via send and
return; Footswitch (internal/external effects on/off) and includes: Padded,
high-quality gig/carry bag making travelling with the amp a breeze.

This amp works as a great small PA with my Ear Trumpet Mic, or any quality
mic and it picks up all 6 players with one mic.

#2:

Norah Jones Podcast with Mickey Raphael

?Our guest today is the incredibly talented and versatile musician, Mickey
Raphael. His legendary harmonica playing is the hallmark of many songs you
know. Not only has he played with everyone from Elton John to Neil Young to
Chris Stapleton, but has spent the last 50 years playing alongside Willie
Nelson. Mickey and Norah connect on their musical beginnings, their chance
meetings with Willie, and life on the road. You won?t want to miss this
episode of classics and a spin on one of Norah?s originals! Recorded
4/28/23.?

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.norahjonesisplayingalong.com%2Fmickey-raphael&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=e1teWWpw39h9I6h3610IrMxhe94zu9Cn5vkjuHIwzWU%3D&reserved=0<https://www.norahjonesisplayingalong.com/mickey-raphael>

All the best!
Trip
--
*Trip Henderson*

*917-287-4882*
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsoundcloud.com%2Ftrip-henderson&data=05%7C01%7C%7C0dbfd2b25b524d5a318208dba7b963da%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638288186985513407%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=o4tVVYPEaMzTNl9lKFR%2FfWP05py%2FSsQD42xo%2BeqIqEY%3D&reserved=0<https://soundcloud.com/trip-henderson>

------------------------------

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End of Harp-L Digest, Vol 240, Issue 9
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