[Harp-L] Questions on Bending/OB/OD and Scales/Music/TAB

[Leonard Schwartzberg]

Arthur/Michael:   Thanks to you and Michael Rubin for the quick reply and
clarification.   Do you ever overblow (blowbend) 7-10 or only overdraw on
7-10?   As to NOTES:   so what you're telling me is to look at the KEY the
music is written in and (normally, if I want to sight read) merely choose
the harp of that key, right?  Or if I want to bluesify (crossharp) the song
I should pick a harp in the 5 degree i.e. pick a G harp for a C song and
then sight read the music?
I will be taking Michael's suggestion to listen to his posted videos (first)
and then perhaps arrange for private lesson.   Michael, would it help me to
purchase "Meat/Potatoes" book + CD in addition to viewing your (nearly) 100
on-line videos?
Thanks, Leonard

-----Original Message-----
From: Arthur Jennings [mailto:arturojennings at xxxxx] 
Sent: Sunday, April 23, 2017 1:06 PM
To: Michael Rubin
Cc: Harp-L; Leonard Schwartzberg
Subject: Re: [Harp-L] Questions on Bending/OB/OD and Scales/Music/TAB

Hi Leonard,

See my answers, below:

>> .         Bending Draw Notes (I assume that's normal bending on 1-6)
Yes, that is correct.
>> 
>> .         Bending Blow Notes??
Yes, you can bend the blow notes on holes 7 through 10 using a similar
technique to your bends on the draw notes in holes 1 through 6. Note the the
hole 7 blow bend, like the hole 5 draw bend, will not bend a full semitone.
>> 
>> .         Over Blowing (I assume that's bending while you blow??  1-6 or
>> other holes?)   Does it raise the pitch?   How does it work and how do I
>> know when the note is hit?   How to do it?
>> 
>> .         Over Bends ???  (raise/lower pitch?   How to do it?)
>> 
>> .         Over Draws ???     "         "              "              "
>> "
Overblows raise the pitch on blow holes 1-6; overdraws raise the pitch on
draw holes 7-10. "Overbend" is another term for both techniques. 

These are advanced techniques that involve choking the reed played while
finessing the other reed in the chamber to sound at a higher pitch. Skilled
overbenders can play complete chromatic scales on diatonic harmonicas.
>> 
>> .         Bent Notes (I assume same as Bending Blow Notes?)
Any note played "bent".
>> 
>> .         Draw Bends ??? same as Bending Draw Notes?
Yep.
>> 
>> Next topic:   Scales...
>> 
>>                Scale Degrees (on C.. 1=C; 2=D; 3=E, etc)?
Yep.
>> 
>>                Harmonica TAB (1+ 2 2'', etc. as per music)

Not sure what this question means.
>> 
>>                Notes on staff (EGBDF, FACE... but when changing harp to A
>> HARP, do we still read the notes as EGBDF, etc.?   or, if reading music,
do
>> we need to transpose in our head?)
Notes on the staff usually describe "concert pitch" (unless they are written
for a transposing instrument such as trumpet). If you want to play in the
key written on a different key harp, you need to transpose on the fly. If
you're playing alone, you could just play as written and have the piece come
out in a different key.
>> 
>>                Notes on scale (cdefgabc) but when changing harp (let's
say
>> to A harp), once again, how to sight read the notes?   Or do we need to
>> write down the scale degrees? Or the TAB? Or??)
See previous question.
>> 
>> 
>> 
>> Lots of questions, all somewhat related, but need to really CLARIFY 
>> what I'm playing so that the learning process becomes more directive, 
>> effective, and
>> clear.   Thanks, Leonard
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> ---
>> This email has been checked for viruses by Avast antivirus software.
>> https://www.avast.com/antivirus
>>