[Harp-L] Seydel Spiral (Circular) Tuning
- To: "Robert Coble" <robertpcoble@xxxxxxxxxxx>, "harp-l" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Seydel Spiral (Circular) Tuning
- From: "Harmonicology [Neil Ashby]" <harmonicology@xxxxxxxxxxxx>
- Date: Fri, 23 May 2014 11:08:46 -0400
- Cc:
- In-reply-to: <BLU176-W328A53FDC8E35F7F8D3147C43E0@phx.gbl>
- References: <20140522145801.567E1C05D0@smtp.hushmail.com> <BLU176-W7CFFFF8690B53B6CDD122C43F0@phx.gbl> , <20140522154300.C6194C04B3@smtp.hushmail.com> <BLU176-W328A53FDC8E35F7F8D3147C43E0@phx.gbl>
Your (e-mail) comment that Seydel labels their circular-tuned harmonics in the 12th position is quite interesting but would it be more clear instead to phrase that as to indicate that Seydel tunes their circular-tuned harmonicas for the 12th position of the label; whatever circular-tuned harmonicas that Seydel labels as "C" are tuned for the corresponding 12th position which has "F" at 2-draw]?
I figure that many users would remember the positions along the "Circle of Fifths" more easily than they remember the proper name of each mode.
I was not reading Harp-L at the time of the spiral-tuning debate; are there any negative issues pertaining to circular-tuning other than some slightly less overall range (which causes me to wonder whether the 12-hole circular-tuned harmonica was attempted).
/Neil Ashby (" http://thebuskingproject.com/busker/2025/ ")
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