Re: [Harp-L] Trill on OB 5/blow 6

The more general inquiry is about using overblow on one note and regular blow on the second. 
This specific instance is an overblow on whole five and a regular blow note on blow six. 
But I am curious in general about using overblown notes and regular blow notes in trills. 
I went to a concert on Thursday night and every single harmonica player (Mark Hummel, Sugar Ray Norcia, Charlie Musselwhite and more ) did a trill on holes three and four or four and five draw. This is evidently a standard harmonica move. 
And of course sometimes we draw bend when we're doing the shake. 
So this would be a related technique using over bends. 
On Dec 10, 2012, at 3:41 PM, Rick Dempster <rick.dempster@xxxxxxxxxxx> wrote:

> John;
>          I assume that you must mean an overblow trill on hole 5, resulting in an oscillation between an E and an F#, and the same on hole 6, resulting in a G - Bb trill. Is that what you mean? If so, yes, I do that., depending on the state of the instrument, of course. The lower you go, the harder it is ie trilling an overblow on hole 4 (C - Eb) is pretty difficult.
> RD
> On 11 December 2012 10:28, <gnarlyheman@xxxxxxxxx> wrote:
>> Hey harp heads--anybody doing this?
>> For our example, let's use a C--so the two notes are F# and G.
>> I asked John Frazer, he said Jason probably does this--anybody else?

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