Re: [Harp-L] Playing in majors/minors
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- Subject: Re: [Harp-L] Playing in majors/minors
- From: Michelle LeFree <mlefree@xxxxxxxxxxxxxxxxxxxxxx>
- Date: Sat, 17 Jul 2010 11:18:20 -0600
- In-reply-to: <201007171458.o6HEwCgv031574@harp-l.com>
- References: <201007171458.o6HEwCgv031574@harp-l.com>
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todd allen inquires:
I'm still having a hard time wrapping my head around what harp to use when the
band calls out a song in minor's or major's.For example Ohio by Neil Young in D
minor, or Dancing in the moon light by Van the man in F minor. I typically go
right to cross harp (2nd position) for most everything we do, if that doesn't
sound right I just go through every harp in my case until I find the key that's
least offensive. I have looked at circles of fifths and other charts but don't
get why they just don't include majors and minors in the typical harmonica
position charts, I guess I just don't get it. do they even relate to the key of
harp or is it more about the notes you play?
Todd
Allen had it right, Todd, try 3rd position (root on draw 4; watch out
for draw 3 and draw 7).
What you really need to know is how to select the right harp for any
minor key song. You already have the tool -- the Circle of Fifths. I
assume you know how to use the Circle of Fifths to find the right harp
in 2nd position for a song in a given major key (go 1 step
counterclockwise; e.g., to play in the key of E major in second
position, use an A harp). The correct key for 3rd position is two steps
counterclockwise instead of one. So to play in the key of Em (E minor),
choose your D harp. Print out a Circle of fifths chart and keep it in
your harp kit. People often advise memorizing the Circle of Fifths. I
think you will do that naturally if you refer to it often enough (I
don't think it's necessary to make it a big monolithic project).
Here's a little trick I use to quickly arrive at the correct harp for
playing in 3rd position (so long as you have memorized all the 2nd
position keys, which you really should do if you haven't already --
picking a 2nd position harp should be AUTOMATIC). First I think of the
correct harp to play the major of the minor key in question in 2nd
position, then I think of what harp I'd use to play THAT major key in
2nd position. So in my earlier example, if we want to play in Em, I'd
first think of the harp I'd use to play 2nd position E major in -- an A
harp, right? Then I ask myself what key I'd use to play A major in 2nd
position -- guess what, a D harp! So I'd use that same D harp in 3rd
position to play in Em. This way you are using the same relationships
found in the Circle of Fifths, just arrived at in a more inductive way,
sort of stepping though it in your mind, where it will begin to reside
forever.
Todd, my final word of advice to any budding diatonic harmonicist is to
run, don't walk, to your nearest book store and get your copy of our own
Winslow Yerxa's superb book, "Harmonica For Dummies." For half the price
of a decent harp, you will have an excellent step-by-step introduction
into the world of diatonic harmonicas from the most elementary issues
down to the deepest details. If you retain only a small fraction of the
insights and wisdom in that book, you will be well on your way to
becoming "one" with your favorite instrument. Then its "practice,
practice, practice..."
Go for it and let us know how you do. :-)
Michelle
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