Re: [Harp-L] "A-Train"

To: h-l <harp-l@xxxxxxxxxx>
Subject: Re: [Harp-L] "A-Train"
From: Garry Hodgson <harp@xxxxxxxxxxx>
Date: Sun, 22 Feb 2009 20:46:37 -0500
Cc:
In-reply-to: <2113ED99C47D448E9274BC33D4BC0F07@owner850e13ead>
References: <129662.49796.qm@web50806.mail.re2.yahoo.com> <9E3448FB-F614-4E9C-94AF-CDC285FE75F2@comcast.net> <000d01c99500$a42fbb60$0400000a@kerkhoven05> <49A17524.8050802@3hat.org> <2113ED99C47D448E9274BC33D4BC0F07@owner850e13ead>
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Dan Berger wrote:

instruments like vibraphone have a limited attack envelope.
You wouldn't think so if you saw Milt Jackson play live! I saw him play with two amllets in each hand.

what effect does that have on attack envelope?

Follow-Ups:
- Re: [Harp-L] "A-Train"
  - From: Rick Dempster
- Re: [Harp-L] "A-Train"
  - From: Dan Berger

References:
- Re: [Harp-L] "A-Train"
  - From: Winslow Yerxa
- Re: [Harp-L] "A-Train"
  - From: Jonathan Ross
- Re: [Harp-L] "A-Train"
  - From: John Kerkhoven
- Re: [Harp-L] "A-Train"
  - From: fjm
- Re: [Harp-L] "A-Train"
  - From: Dan Berger

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