[Harp-L] Overblows, Overdraws and the SUB-30 (Michael Rubin)
Michael Rubin
michaelrubinharmonica@xxxxx
Fri Nov 16 15:00:38 EST 2018
Everytime I find a video, I'll tag you.
On Fri, Nov 16, 2018 at 1:59 PM Michael Rubin <
michaelrubinharmonica at xxxxx> wrote:
> There is a Facebook group for overblowers.
>
> On Fri, Nov 16, 2018 at 1:53 PM rosco <roscoharp at xxxxx> wrote:
>
>> I'd love to hear examples!
>>
>>
>> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail> Virus-free.
>> www.avg.com
>> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
>> <#m_4687731516929674150_m_-6836154216561718380_m_4571442529192019208_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>
>> On Fri, Nov 16, 2018 at 1:30 PM Michael Rubin <
>> michaelrubinharmonica at xxxxx> wrote:
>>
>>> Levy has some classical recordings, including a full CD.
>>>
>>> I think we can be assured of dozens of people playing in all 12 keys. I
>>> doubt we've hit 100 yet.
>>> Michael
>>>
>>> On Fri, Nov 16, 2018 at 11:31 AM rosco <roscoharp at xxxxx> wrote:
>>>
>>>> Hey all, I haven't posted to harp-l for quite a while, but I get the
>>>> emails. Lately I see the 'harp in 12 keys' discussion heating up again.
>>>> I
>>>> have been in the 'overblow' school since 1991 or so. I know most of the
>>>> cats who were pioneering the usage of OBs and ODs. I'm not as interested
>>>> these days in the techniques for getting notes as I am in how they
>>>> sound in
>>>> a musical context, so I may be out of touch with who's doing what re:
>>>> playing chromatically on diatonic. There may be hundreds of them playing
>>>> great music in out positions. I hope there are! Still, I have only heard
>>>> half a dozen or so play with any facility in positions 7 through 10.
>>>> Some
>>>> folks have 'set pieces' that they have memorized to play in 12 keys,
>>>> but I
>>>> personally don't consider that 'facility'. Howard can do it, but even he
>>>> sounds more interesting to me when he plays positions that exploit the
>>>> strengths of the tune/position relationship. Outside of gimmick pieces
>>>> that
>>>> are purposely written to show off the 12 key ability, there are very few
>>>> songs that require it. Jazz is full of tunes that modulate to remote
>>>> keys,
>>>> so SOME 12 position facility is necessary to improvise jazz on a richter
>>>> diatonic. Playing some licks in 12 keys is only a small part of playing
>>>> with facility. Can folks play major, minor, outline hard to hear jazz
>>>> chords, etc.? I've only heard it done a few times, but again, maybe
>>>> there
>>>> are dozens of folks doing it. If so I'd like to hear clips! Again,
>>>> although
>>>> they can be impressive, I don't consider memorized pieces as playing
>>>> with
>>>> facility. The obvious exception is classical music. Who's doing that on
>>>> diatonic?
>>>> --
>>>> Later,
>>>> Ron 'Rosco' Selley
>>>> f <http://roscoharp.com>orcollective.net
>>>> https://www.facebook.com/ron.selley
>>>>
>>>> <http://www.facebook.com/profile.php?id=1615357105>
>>>>
>>>> <
>>>> http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail
>>>> >
>>>> Virus-free.
>>>> www.avg.com
>>>> <
>>>> http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail
>>>> >
>>>> <#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>>>
>>>
>>
>> --
>> Later,
>> Ron 'Rosco' Selley
>> forcollective.net
>> roscoharp.com
>> https://www.facebook.com/ron.selley
>>
>> <http://www.facebook.com/profile.php?id=1615357105>
>>
>>
>> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail> Virus-free.
>> www.avg.com
>> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
>> <#m_4687731516929674150_m_-6836154216561718380_m_4571442529192019208_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>
>
More information about the Harp-L
mailing list