[Harp-L] 12 keys with one harp

[The Iceman]

Seems that most have overlooked that fact that playing 12 positions on diatonic, "just because you can", is a fantastic way to improve your bends to correct pitch and deal with OB.


As a teacher for advanced students, I recommend venturing into this territory - not to show off or actually only carry one harmonica for all situations, but as more of an advanced exercise towards improvement. When you come out the other end, I guarantee that one's 2nd, 1st, 3rd position playing will certainly be more impressive in one's ability to create any note needed through bending technique!



-----Original Message-----
From: Robert Hale <robert at xxxxx>
To: Sébastien Frémal <sebastien.fremal at xxxxx>
Cc: harp-l <harp-l at xxxxx>
Sent: Mon, Nov 5, 2018 10:52 pm
Subject: Re: [Harp-L] 12 keys with one harp

1. Playing jazz is probably the best criteria for deciding to play 12
   positions on diatonic. "Just because you can."
   2. The other criteria would be your brand of harp. Lee Oskar's are my
   choice, and I have read that they are not effective for setting up
   overblows.

When my music growth seems to approach the need, I may join the "12
positions, one harp, overblow" tribe. It certainly would be nice to pack
one harp instead of 12 keys and several tunings. Meantime, by needs are
wonderfully met by re-tuning Lee Oskar harps into Spiral, which combines
the power of his Melody Maker and Natural Minor. And Spiral offers two-note
harmonies throughout the scale that are just delightful, in 3 Major and 3
Minor keys per harp! (Oops, I'm talking positions again!)

FOR NEWER SUBSCRIBERS TO THE LIST
There are a ton of great tools and techniques to learn from each
contributor, but don't worry about overblows. I admire those who have
accomplished it. I don't admire any less those who play well and don't use
overblows. For me, it's the joy of music that counts. Playing or hearing.

Robert Hale
Serious Honkage in Arizona
youtube.com/DUKEofWAIL
DUKEofWAIL.com