RE: [Harp-L] Take five tab
- To: Venky Ramakrishna <jazzyvenky@xxxxxxxxx>, "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>, "sridhara1@xxxxxxxxx" <sridhara1@xxxxxxxxx>
- Subject: RE: [Harp-L] Take five tab
- From: Blunt White <playharp@xxxxxxxxxxx>
- Date: Mon, 11 Jan 2016 14:35:29 -0500
- Cc: "madcat@xxxxxxxxxxxxxxx" <madcat@xxxxxxxxxxxxxxx>, brendan Power <bren@xxxxxxxxxxxxxxxxx>
- Importance: Normal
- In-reply-to: <BLU178-W21C4AD1D4B50BEE02A4F0EC0C80@phx.gbl>
- References: <82713791.916764.1452087484725.JavaMail.yahoo.ref@mail.yahoo.com>, , <82713791.916764.1452087484725.JavaMail.yahoo@mail.yahoo.com>, , <1A7E9F6E-3FD9-4D69-8E74-C8D804D0880B@madcatmusic.net>, , <BLU178-W105E8CAE556CDF8C7BB881C0F50@phx.gbl>, , <CAGX2p0-0kj85dh4Oe-OWRnbf6Fv-RK6O719pLdFzvpE5Z8HgrQ@mail.gmail.com>, <BLU178-W21C4AD1D4B50BEE02A4F0EC0C80@phx.gbl>
The tab didn't come thru in the earlier email. See below, this is from the Harp L archives November 7, 2006.
3'' -4 -5 +6 -6' -6 -6' +6 -5 / -3'' +4 -4
-5 -4 +4 -4 / +4 -3'' -2 -3''
-3'' -4 -5 +6 -6' -6 -6' +6 -5 / -3'' +4 -4
+4 -3'' -2 -3'' / -5 -4 +4 -4
-4 -5 -4 -3'
-2 -3'' -3' -3 +4 +5 +4 -3''
-2'' -2 -3''' -3'' -3' -4 -3' -2
+2 -2'' -2 -3''' -3'' -3''' -3'' -3' +4
+4 -3 +4 -4' -4 -5 -4 -3'
-2 -3'' -3' -3 +4 +5 +4 -3''
-2'' -2 -3''' -3'' -3' -4 -3' -2
+2 -2 +4 -3' -3''
-3'' -4 -5 +6 -6' -6 -6' +6 -5 / -3'' +4 -4
-5 -4 +4 -4 / +4 -3'' -2 -3''
-3'' -4 -5 +6 -6' -6 -6' +6 -5 / -3'' +4 -4
+4 -3'' -2 -3'' / -5 -4 +4 -4
> From: playharp@xxxxxxxxxxx
> To: jazzyvenky@xxxxxxxxx; harp-l@xxxxxxxxxx; sridhara1@xxxxxxxxx
> Subject: RE: [Harp-L] Take five
> Date: Sun, 10 Jan 2016 12:37:29 -0500
> CC: bren@xxxxxxxxxxxxxxxxx; madcat@xxxxxxxxxxxxxxx
>
> Greetings - Below is the Take 5 tab (in 3rd position) from a HarpL post in 2006. Peter Madcat Ruth plays a great version on his CD, Live in Rio, which can be purchased on iTunes.
>
>
> Simplifying the melody using a Paddy Richter tuned harp. You will see many of the notes above are draw bends in hole 3 of between a half step and a whole step (in the tab above that would be -3' and -3''). PR tuning changes only one note, raising the pitch of +3 to -3''.
>
> PR tuning changes a redundant note (+3 and -2 are the same) into a very useful, but difficult to hit note. Consider how much easier a blow note is compared to a draw note that is bent a whole step. The main compromise (in this melody) is losing the full step and a half draw bend in hole 3 (in the tab above -3''', instead just substitute -3'').
>
> A side benefit of PR tuning is that it simplifies playing the "blue" half step draw bent note in hole 3 (-3'), because in PR tuning that note can't be bent any lower than -3'. Paddy Richter tuning is explained in the link below (Brendan Power invented PR tuning). Note PR tuning is useful for many single note playing styles (not limited to Irish Celtic).
>
> http://www.brendan-power.com/harmonicas-irish.php
>
> All the best,
> Blunt White
> Stonington, CT USA
>
>
>
>
> Date: Sun, 10 Jan 2016 06:59:02 -0500
> Subject: RE: [Harp-L] Take five
> From: jazzyvenky@xxxxxxxxx
> To: playharp@xxxxxxxxxxx
>
> Hi,
>
> Who makes the Paddy Richter harp and what key is this in? Alfred Hirsch has a take on this song and I believe it is an F# or F#m custom harp. Can you please forward me the tabs?
>
> Thank you much.
>
> Venky
> On Jan 7, 2016 3:20 PM, "Blunt White" <playharp@xxxxxxxxxxx> wrote:
> It's a good challenge to practice it on a diatonic (yes in 3rd). To impress yourself play it on a Paddy Richter tuned harp (so much easier, but just for the melody, to play it out with the loss of the triple step draw bend in hole 3 would be a sin). The tab was posted on HarpL in November 2006, if it's not in the archives I can scan a copy to the List.
>
> All the best,
>
> Blunt White
>
>
>
> > Subject: Re: [Harp-L] Take five
>
> > From: madcat@xxxxxxxxxxxxxxx
>
> > Date: Wed, 6 Jan 2016 21:47:42 -0500
>
> > To: martinoldsberg@xxxxxxxxx
>
> > CC: harp-l@xxxxxxxxxx
>
> >
>
> > Take Five can definitely be played in Eb on a Db diatonic harp (3rd position) without overblows.
>
> > I say this from personal experience - including many years of gigs with Dave Brubeck and Chris Brubeck. It takes some precise note bending, but no overblows.
>
> >
>
> > Peter Madcat Ruth
>
> > Musician - Grammy Award Winner
>
> > madcat@xxxxxxxxxxxxxxx
>
> > www.madcatmusic.net
>
> > www.youtube.com/user/petermadcatruth
>
> > www.cdbaby.com/Artist/PeterMadcatRuth
>
> >
>
> > > On Jan 6, 2016, at 8:38 AM, martin oldsberg <martinoldsberg@xxxxxxxxx> wrote:
>
> > >
>
> > >> Take Five can be played on a Db diatonic harp (3rd position vs Eb) without
>
> > >> overblows.
>
> > > Erh, no. The B-section jumps up an octave, requiring an OB -- and, I think, off the cuff, even an OD./Martin
>
> >
>
>
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