Re: [Harp-L] Breaking in a new harp
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Breaking in a new harp
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Fri, 19 Sep 2014 19:11:56 -0400 (GMT-04:00)
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- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
Lare Sattler wrote:
<I have read conflicting things about the need to break in a new harp, like gentle playing at first to ease the movement of the reeds so they have less <shock. Another will say they need no break in, just blast the hell out of them. I am normally a pretty hard player and have taken the give 'em hell <approach, but I have wondered if my harps might last longer if I treated them gently for a bit before gigging with them. I thought I'd ask for opinions <on here and see what the experience of some other players might benefit me. Thanx in advance.
So far as I can tell, there's no advantage to breaking in a harp slowly, especially harps of the quality standard that's common nowadays.
I do find that different makes and models wear differently under hard playing. I find that my Seydels with stainless steel reeds hold up very very well under hard playing; I have yet to blow a reed flat on any of them, and I've been playing a few of them regularly for at least a couple of years. The 1847s are more responsive than the Session Steels, but they both play hard and well.
I will just note here that when I told Dennis Gruenling that I had blown the draw 5 reed flat on two Marine Band Deluxes in a row, he told me not to play so hard. Pretty good advice, I think. I remember Annie Raines telling a festival seminar that in her opinion it was better to let the amp do the work. Also good advice.
Regards, Richard Hunter
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