Re: [Harp-L] Middle F# copyright, fine print.

[Kent <kmangelos@xxxxxxxxxxx>]

I promise to never play F# again without clearance from the CCC.  I prefer E# anyway.

kma

----- Original Message -----
From: "JON KIP" <jon@xxxxxxxxxx>
To: "Joseph Leone" <3n037@xxxxxxxxxxx>
Cc: "Harp-L" <harp-l@xxxxxxxxxx>
Sent: Tuesday, November 4, 2014 8:34:32 AM
Subject: Re: [Harp-L] Middle F# copyright, fine print.

I believe I clearly stated that this copyright application is for Chromatic Harmonica F#. Not diatonic.
It's in the fine print of the fine print.

and, since I see that Michael R. has  already apologized for something that only a very kind person would feel the need to apologize for, let me just say that, if ANYONE could patent a note using facebook and email in 1959.....I'd be impressed.

Even Sgt.  Leone couldn't pull that off.

could he???



On Nov 4, 2014, at 8:08 AM, Joseph Leone wrote:

> 
> On Nov 4, 2014, at 10:33 AM, JON KIP wrote:
> 
>> Just so you all know, I'm in the process of copyrighting  middle F# as played on a three octave chromatic harmonica. I've heard it  described as simply " F# ", but more specifically, "on a three octave chromatic harmonica having the bottom note as "C",  it's the note resulting from inhaling (drawing) on the six hole with the slide in and the tongue not covering the hole". I think that's right.
> 
> Sorry Captain Kip. You may not pirate my F#. On 25 Sept. 1959, in an effort to play doo-wop music, I changed the #5 draw from an F to an F#. This allowed me to now play a plethora of tunes on ONE
> diatonic which heretofore had required TWO harps. Then on Oct 23, I also tuned the #9 draw to an F# thereby completing the package. On Nov 6 I placed a wind saver on the #5 draw allowing that blow 
> note to be played down one flat. 
> On 21  Dec 1975 I demonstrated this tuning at the Ryman Christmas show. So anyone who has used that tuning after that date owes me money. I watch the mail box every day but for some inexplicable 
> reason, no one seems to want to pay me. 
> 
> smo-joe  rotflmao
> 
> 
>> 
>> WHY F#?
>> That note is used a lot in music written in the key of "D Happy", as opposed to music written in the key of "D Sad" , which uses the note "F Natural", a note over which I claim no domain , mostly because it can apparently (and confusingly)  be played several different ways, and the paperwork involved to have specificity would be overwhelming.
>> 
>> And yes, to be honest, I did learn that F# note from Tommy Morgan, but I think he's not patented or copyrighted it yet, and it's been over ten years. He's had his opportunities. 
>> 
>> As I understand it, all past use of F# is grandfathered into The System, so no worries about The Past. For The Near Future,  just email me how many F#s you've used, quarterly, I'll keep track, and, once my request gets through the Legal System, I'll bill you when I know The Fee.
>> 
>> For those of you who have been forced to tediously lower the pitch of every reed on your favorite instrument in order to play in tune with The Church Organ in December, you're safe, as there will never be a charge for an "almost F#". 
>> 
>> Those of you who retuned your harmonica to be in tune with the Tenor Soloist on that one Unaccompanied Duet you have in church, might want to rethink things.
>> 
>> Thanks.
>> 
>> 
>> 
>> jk
>> 
>> The philosopher Socrates, discovered to his dismay that he was the smartest person in Athens merely because he, and he alone, recognized how ignorant he was.
>> http://jonkip.com
>> 
>> 
>> 
>> 
>> 
>> 
>> 
> 

jk

The philosopher Socrates, discovered to his dismay that he was the smartest person in Athens merely because he, and he alone, recognized how ignorant he was.
http://jonkip.com