[Harp-L] Re: upbend
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: upbend
- From: BluzeHarp@xxxxxxx
- Date: Wed, 12 Feb 2014 19:18:03 -0500 (EST)
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The terms overblow overdraw and overbend are very confusing for many
beginner and even intermediate level players, a quick dig into the archives is
all that's needed to confirm this. I proposed upbend as a way for the name
of the technique to more closely describe what the technique actually
accomplishes... bending the pitch of a played note upward.
Sure, the reeds are doing stuff that could cause you to make the argument
noted below, but the issue at hand is the confusion created by the current
terminology. The goal wasn't to present a scientifically precise
description of what happens beneath the cover plates, but instead to create a term
that would more clearly describe the end result of the upbend technique...
something a beginner could make some sense of.
Michael Ruben (who teaches a lot of players) independently proposed
'ascended bend', which is the same thing with a couple extra syllables.
Michael's hoitytoidyness aside, I guess there's at least two of us who see the
current terminology as needing repair. In any case if you say them backwards
I'd much rather be asked to bend up than to bend over.
If there's a still better description floating around that gets the point
across I'd be all in.
Christopher Richards
Harmonicaplanet.com
In a message dated 2/11/2014 7:42:12 A.M. Mountain Standard Time,
harp-l-request@xxxxxxxxxx writes:
All full bends are 'up' bends.When you draw hole one down to C# on a C
harp, you are playing the blow reed in reverse, exactly the same as an
'overbend'. The C reed plays in reverse as C#. Only the partial bends could
be called 'down' ie Bb or A at draw 3 on a C harp.
So, no, sorry, I wouldn't adopt that term.
RD
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