[Harp-L] Equal temperament
- To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Equal temperament
- From: "jross38@xxxxxxxxxxx" <jross38@xxxxxxxxxxx>
- Date: Tue, 1 Apr 2014 21:21:14 -0400
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Phil wrote:
"The concept of equal temperament has been around for centuries and has just gone in and out of popularity. Probably Bach's The Well-Tempered Clavier is what cinched the deal. "
Except probably not. It's questionable what temperament Bach intended (hotly debated at that) and 12-tone equal temperament doesn't seem to have really taken off till the more heavily chromatic Romantic music of the 19th century (certainly not in organs, for instance).
As for harmonicas, I can't stand the sound of equal tempered chords. Well, mostly the major thirds. Which is why I almost never play chords on a chromatic. Splits, but not chords. Also, I think fjm is very much on to something; if you haven't played a harp in 7-limit just intonation, you really need to try it.
JR Ross
(Still trying to figure out a good chromatic harp layout for 19-tone equal temperament)
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