Re: [Harp-L] blow 3, draw 2

[Mike Price <mikerockin@xxxxxxxxxxx>]

My experience with 3blow .. when I first started playing harp it was blues music all the way and I  avoided Blow3 like the plague. Later I discovered how well blow3 actually works in some blues songs, like alternating with Draw2 or when running out of air after hitting to many draw notes :)p. On another 3 blow note comment,  I am soon going to  try raising the blow 3 reed a whole step (G to an A) for the purpose of messing around with playing some jigs/reels in the the lower register. Any songs suggestion for this type tuning would be welcomed.
Thanks*** Mike
On Oct 8, 2013, at 4:49 PM, Richard Sleigh <rharp@xxxxxxxxxx> wrote:

> A couple thoughts on the recent discussion on draw 2 vs blow 3:
> 
> I agree with Winslow that the air chamber in your mouth is connected to both blow and draw notes as far as tone quality. Being able to bend draw 2 gives you more expression, but you can still get a lot out of blow 3.
> 
> One exercise that helps a lot is to go from draw 2 to blow 3 and work at getting the tone to match. It is possible. 
> 
> Another one is to use a chromatic harmonica and match the tone on blow 4 and draw 4 with slide in( on a C chromatic they are both C notes). Get the tone and vibrato to match.  Both of these exercises build chops that transfer to playing any kind of harmonica.
> 
> If you treat blow 3 as another note with all kinds of rich tone just waiting for you to discover, you'll get a lot more out of it than if you think of it as not as good as draw 2. 
> 
> Richard Sleigh
> 
> http://www.rsleigh.com
> http://www.hotrodharmonicas.com
> 
>