[Harp-L] Re: Harmonica Tuning Sequence
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Harmonica Tuning Sequence
- From: BluzeHarp@xxxxxxx
- Date: Mon, 16 Dec 2013 15:16:22 -0500 (EST)
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=mx.aol.com; s=20121107; t=1387224983; bh=TgMD878YBydTtefw0Duj+4l1LgayxF/4lYaT5dDhAl8=; h=From:To:Subject:Message-ID:Date:MIME-Version:Content-Type; b=IseVNOPT/B8+l9wHiKFQRBhXp68lI/jLeBHiWoGFzTa4VCSn1SGzUfEEkLBxyiRV+ 3D8WwdLCOu7d4/7LeoiqCuVGSW5+W48aFasPzYiBiluuVdbOCkIceoapZuAkL7Wcpu 05sT81McH5sNuPNeVnLSFQCQx/9Kj3sqOrnjo87s=
Denny, it sounds like you are trying to learn to do too much all at once.
Here's a few pointers I've gleaned from attending seminars conducted by
various masters of this craft: It is important to learn these procedures one
at a time... attain repeatable results with one process before moving to
the next. If you try to tune, gap, emboss and arc all at the same time you
won't know how one step is affecting the other, or even if you have any of
them right... it will wind up being a train wreck. Adjust the gaps before
embossing, you don't want to try to emboss around a misaligned reed. To
practice embossing find a reed that sounds a clear note but requires a lot
more air than you want it to, it need not be in tune. Emboss much more
gently than you think is needed and then test, keep repeating until you have a
good result. Keep in mind that other factors can affect reed response,
embossing will for example not correct a leak caused by a warped plate or
comb, you might want to check for any such issues before you begin working on
the reeds... don't over tighten the plates! As Winslow mentioned, tuning
should come last, if done properly it should not affect the other steps.
I'd conquer the above before moving on to things like arcing or reed
replacement.
Your 1847 has stainless reeds, the Delta Frost reeds are phosphor bronze,
each will require different levels of force and time, and possibly
different tools, in order to accomplish the same results as on brass.
Another good tuning kit and instruction book are offered by Richard Sleigh.
Get to a SPAH convention, you won't believe how much you can learn about
this topic by attending!
Christopher Richards
Harmonica Planet.com
In a message dated 12/16/2013 11:04:37 A.M. Mountain Standard Time,
harp-l-request@xxxxxxxxxx writes:
-------- Original message --------
From: Denny Noreikas <harpmessin@xxxxxxxxxx>
Date:12/15/2013 3:20 PM (GMT-05:00)
To: Harp- L <harp-l@xxxxxxxxxx>,harptalk@xxxxxxxxxxxxxxx
Subject: [Harp-L] Harmonica Tuning Sequence
I am going to attempt customizing & tuning my own harmonicas (Seydel 1847,
Hohner Special 20, & Bushman Delta Frost) for playing mostly Blues. I have
the Lee Oskar tool kit, the Rupert Oysler DVD's, the Harmonica Einstein's
Tuning Table and the Seydel Setup Pack. I am ready to start practicing on
an old Hohner. Is there a particular order to follow for tuning, setting the
offset & curvature and finally embossing? In other words, should I set the
offset and curvature first and then tune and finally emboss? Any help or
advise would be appreciated.
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.