[Harp-L] Harp-L] Toots
- To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>, "bren@xxxxxxxxxxxxxxxxx" <bren@xxxxxxxxxxxxxxxxx>
- Subject: [Harp-L] Harp-L] Toots
- From: martin oldsberg <martinoldsberg@xxxxxxxxx>
- Date: Wed, 4 Dec 2013 09:15:11 -0800 (PST)
- Cc:
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- Reply-to: martin oldsberg <martinoldsberg@xxxxxxxxx>
This is really interesting, and I wish that whoever it was that was pulling the switches there and then would tell us how.
Toot´s sound on that record is just as great as the record itself and one that I´d seriously want for my diatonic, but can´t seem to find. Alas.
Any insights on this would be warmy appreciated.
And don´t give me that "It´s all in the player" shit -- we know it ain´t; that´s something you can say to beginners.
Cheers,
Martin
PS Incidentally Brendan appears to have the same formatting problems with his posts as I ...
>I think Toot$B!G(Bs best ever recording was his album with Bill Evans,
<$B!H(BAffinity$B!I(B. His playing and the harmonica sound on that album are just
<amazing. The chromatic sounds as wide as a bus, and the tone is just
<beautiful. Whoever the engineer was on that record did an incredible job.
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