Re: [Harp-L] Best PA setting to play with band

[Rich Eisenberg <catketch2@xxxxxxxxx>]

The drummer, did the sound, while he drummed?!?!?!?!?


On Wed, Aug 21, 2013 at 2:53 PM, Joseph Leone <3n037@xxxxxxxxxxx> wrote:

>
> On Aug 21, 2013, at 1:35 PM, gnarlyheman@xxxxxxxxx wrote:
>
> > My two cents, roll off the highs.
> > I was at the jazz jam that Smokey refers to, and tried to help run sound.
>
> And I owe you Gary.....BIG TIME
>
> > We had chromatic and diatonic players.
> > They all shared the same mikes, so when a diatonic player got up, I
> simply shelved the highs.
> > That situation was doomed from the beginning, since the backup band
> refused to play quietly enough to allow the harmonica soloists to be
> clearly heard.
>
> Right you are. Down at the restaurant, we use (maybe) half that volume.
> Probably more like 44%. And since I play both harps on the same tune, I
> back off when using diatonic.
> Otherwise, our drummer, who runs the sound WHILE drumming, would go
> insane. When I go to clarinet, we put some highs back in. lolol
>
> > I wound up turning the PA up as loud as I could and riding the levels.
>
> And that worked. The previous evening the also handsome Randy (Singer)
> helped me set up.
>
> Thanks a million to both you guys.
> smokey-joe
>
> > Others may have more specific advice with regard to which frequencies
> should be boosted. I do not.
> > Gary
> >
> > On Aug 21, 2013, at 10:11 AM, Joseph Leone <3n037@xxxxxxxxxxx> wrote:
> >
> >> Dennis, I think it's a matter of what a person reasonably considers
> tonal quality. I would guess it depends on the venue. Some like a little
> bit of hash in their tone, while others hear a dissonance IF the sound
> isn't set up to account for the myriad of ramifications. Especially
> inherrant in the fact that no two players are going to have matching
> timbres. I guess what's happening is that the sound man (while excellent)
> is not in a studio and is having trouble with the levels.
> >>
> >> I had to adjust for every player at the recent spah jazz jams and still
> couldn't get it right. It was a very live room and some players 'pull' on
> the notes more than others, while some play strong, and others silky. With
> a strictly stock set up, like the one we have here in Fla., there are less
> overlapping tones to contend with...OH, and the dining room is a muted
> room..acoustical ceiling and all.
> >>
> >> I have heard you and you're a great player. Guys like you can play
> anything and make it sound good. I kinda wish I was up near you.
> >>
> >> smokey-joe
> >>
> >> On Aug 21, 2013, at 12:41 PM, Dennis Moriarty wrote:
> >>
> >>> After years of the sound man's grimacing in a club I am going to try
> and defer to his wish to "just play through the PA mike" rather than
> setting up my miked amp. This is a paying gig in a major NYC joint that I
> do weekly so the opportunity is worth the degradation in tonal quality if
> it's the price I have to pay. I must go through one of the house wireless
> mikes into the PA without the addition of any added effects so what would
> give me the most resonantly smooth sound regarding PA settings please?
> Thanks. d
> >>> facebook.com/yodennis
> >>> http://www.myspace.com/blowintheblues
> >>
> >>
>
>
>


-- 
Richard Eisenberg
Executive Director
Bayfront Maritime Center
40 Holland Street
Erie, Pennsylvania 16507
814-456-4077
814-459-1678 fax
www.bayfrontcenter.org