Re: [Harp-L] Re: Harp Break set to Dirty
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Re: Harp Break set to Dirty
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Tue, 2 Apr 2013 15:42:24 -0400 (GMT-04:00)
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- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
BluzeHarp@xxxxxxx wrote:
<Richard Hunter wrote:
<<Of these clips, I enjoyed the SM57 most--the sound is plenty tough and
<<in-your-face, with more definition than the Bullet. The SM58 seemed more
<<distant--undoubtedlyy the result of the pop filter that surrounds the element
<<in the 58.
<I haven't seen the entire thread, this might have been covered but has the
<bullet mic been identified? There's dozens of variants between element
<types in a bullet, each with it's own distinct flavor. There's a world of
<difference between a vintage CR, and the R7 or MC-151 crystals, and the less
<desirable elements currently in use by Shure and Astatic/Hohner. Design
<choices and construction quality of a bullet mic often come into play as
<well. I'd add a 2nd bullet, if the first was a crystal then the 2nd could be a
<CR, then you have a comparison that is somewhat more equal to the two
<flavors of the stick mic's.
<etc...
Thanks Chris for this information. My own knowledge of mics is nothing like as extensive as Chris's, and of course the mic has a huge effect on the sound of the entire device chain. So I greatly appreciate these comments.
Regards, Richard Hunter
author, "Jazz Harp"
latest mp3s and harmonica blog at http://hunterharp.com
Myspace http://myspace.com/richardhunterharp
Vids at http://www.youtube.com/user/lightninrick
more mp3s at http://taxi.com/rhunter
Twitter: lightninrick
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