Re: [Harp-L] Re: Harp-L Digest, Vol 109, Issue 83
Yes that's right Ice
Mike Wilbur
On Sep 27, 2012, at 12:39 PM, The Iceman <icemanle@xxxxxxx> wrote:
> Here's the interesting thing about Miles.....
>
> his trumpet playing remained the same (once he found his unique voice)...it was the music that he surrounded it with that he constantly altered.
>
>
>
>
>
>
>
> -----Original Message-----
> From: Angelo Adamo <info@xxxxxxxxxxxxxxx>
> To: harp-l <harp-l@xxxxxxxxxx>
> Sent: Thu, Sep 27, 2012 11:37 am
> Subject: Re: [Harp-L] Re: Harp-L Digest, Vol 109, Issue 83
>
>
> That's right, Mike!
>
> But it seems to me that everything you are saying goes much beyond the
> technical problem we was talking about.
>
> Miles did a more complex artistical path than other musicians and this
> compelled him to find new way of expressing himself.
>
> This means new languages, which means also a new jazz phraseology,
> always evolving with his life experience.
>
> In every case, if you know well how to move fingers on your trumpet,
> you can change you language every time you need to do it.
>
> I can't speak a good english. This means that my eloquence technic
> isn't so good.
>
> I can express few, poor concepts and I do this using always the same
> bundle of words.
>
> Instead you can talk very, very much better than me and this permits
> you to let me understand, but also permits you to talk with a child
> and with a university teacher.
>
> So, you have a great english technic. The one I don't have.
>
> To me, playing is the same matter of speaking.
>
> I can play only few notes and by them it's very difficult for me to
> give you many emotions.
>
> Shakespeare can say whatevere he wants, he can be simple or
> complicated, and he can give you always emotions.
>
> That's the difference
>
> Angelo
>
>
>
>
> Il giorno 27/set/12, alle ore 15:40, mike@xxxxxxxxxxxxxxxxx ha scritto:
>
>> Angelo
>> That's right if there ever was a Jazz Artist that had a long and
>> unusual growth history it would have been Miles Davis.
>> Coming from the elevated class, father of a St. Louis Dentist ,was
>> not " born of the ghetto "
>> As many of his mentors or peers...
>>
>> That and the long journey he made as a musician to become " Miles "
>> gives another kind of Cred ....Miles earned this long notes and
>> pregnant pauses.
>>
>> Anyone that remembers when " Bitches Brew " was cut, he took a lot
>> of heat for " going
>> Psychedelic "
>> Jazz people thought Miles had jumped ship but really, Miles was
>> taking command !
>>
>> Well that's my read on Miles Davis for what its worth.
>>
>> Mike Wilbur
>>
>>
>>
>> On Sep 27, 2012, at 8:59 AM, Angelo Adamo <info@xxxxxxxxxxxxxxx>
>> wrote:
>>
>>> I'd like to say something about playng few/many notes.
>>>
>>> I think that everything is good when comes from a choice.
>>>
>>> If you talk about Miles Davis and his "few notes poetry", don't
>>> forget that this phase of his artistic history was the natural
>>> prosecution of a path started in the 1940s.
>>> At that time, he was playing be bop with Charlie Parker and all the
>>> great names of that epoch.
>>> What I'm trying to say is that if Miles decided later to play few,
>>> long notes, he was doing that because he felt that as the right
>>> thing to do; he managed hi solos this way because he preferred
>>> those few to a forest of notes.
>>> But, if he would, he could play the forest...
>>> Being an artist of that level to me means also that you know so
>>> well your instrument and the music that you can prefer something to
>>> some other thing, being not the slave of your instrument and of the
>>> genre you are playing.
>>> This way, emotions can flow freely, regardless how many notes you
>>> decide to use in expressing yourself.
>>>
>>> Angelo Adamo
>>>
>>>
>>>
>>>
>>
>
> Dott. Angelo Adamo
> ____________________
> Via delle Borre 11, 40131
> Bologna
> info@xxxxxxxxxxxxxxx
> Skype: a.adamo
> +39 347 5131843
> ____________________
>
>
>
> Il giorno 27/set/12, alle ore 15:40, mike@xxxxxxxxxxxxxxxxx ha scritto:
>
>> Angelo
>> That's right if there ever was a Jazz Artist that had a long and
>> unusual growth history it would have been Miles Davis.
>> Coming from the elevated class, father of a St. Louis Dentist ,was
>> not " born of the ghetto "
>> As many of his mentors or peers...
>>
>> That and the long journey he made as a musician to become " Miles "
>> gives another kind of Cred ....Miles earned this long notes and
>> pregnant pauses.
>>
>> Anyone that remembers when " Bitches Brew " was cut, he took a lot
>> of heat for " going
>> Psychedelic "
>> Jazz people thought Miles had jumped ship but really, Miles was
>> taking command !
>>
>> Well that's my read on Miles Davis for what its worth.
>>
>> Mike Wilbur
>>
>>
>>
>> On Sep 27, 2012, at 8:59 AM, Angelo Adamo <info@xxxxxxxxxxxxxxx>
>> wrote:
>>
>>> I'd like to say something about playng few/many notes.
>>>
>>> I think that everything is good when comes from a choice.
>>>
>>> If you talk about Miles Davis and his "few notes poetry", don't
>>> forget that this phase of his artistic history was the natural
>>> prosecution of a path started in the 1940s.
>>> At that time, he was playing be bop with Charlie Parker and all the
>>> great names of that epoch.
>>> What I'm trying to say is that if Miles decided later to play few,
>>> long notes, he was doing that because he felt that as the right
>>> thing to do; he managed hi solos this way because he preferred
>>> those few to a forest of notes.
>>> But, if he would, he could play the forest...
>>> Being an artist of that level to me means also that you know so
>>> well your instrument and the music that you can prefer something to
>>> some other thing, being not the slave of your instrument and of the
>>> genre you are playing.
>>> This way, emotions can flow freely, regardless how many notes you
>>> decide to use in expressing yourself.
>>>
>>> Angelo Adamo
>>>
>>>
>>>
>>>
>>
>
> Dott. Angelo Adamo
> ____________________
> Via delle Borre 11, 40131
> Bologna
> info@xxxxxxxxxxxxxxx
> Skype: a.adamo
> +39 347 5131843
> ____________________
>
>
>
>
>
>
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