Re: [Harp-L] Learn 6 positions first year
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Learn 6 positions first year
- From: Ken Deifik <kenneth.d@xxxxxxxxxxxxxx>
- Date: Tue, 06 Mar 2012 10:06:09 -0800
- In-reply-to: <CAMLFfH6gAnDhpbuXfCGdCqa0-8HQt-OCwmdEtq6JQUhQpCzx6g@mail.g mail.com>
Should a diatonic (Richter) student be introduced to 6 positions during
the first year?
I think this is a terrible idea. I have heard too many people who know
lots of positions, who invent all kinds of interesting tunings, who have a
broad knowlege of gear - who can't play a lick of real music. Many can't
put three clean notes together in a phrase.
My own advice to new players: if you're playing diatonic harp because you
like blues, rock and roll, country, folk music - learn second position
really well, play for hours every day, break through to the upper holes of
the harp, improve your single notes until people tell you how pure your
sound is, learn how to play with guitarists, string bands, blues bands.
When you have a command of second position and a sense of what making real
music is about, THEN you'll have a basis to learn how to make music in the
other positions.
The other positions become magic portals into completely other harps and
sounds when you're already playing strong, beautiful riffs and melodies in
second position. Frankly, they are new languages. Learn your native
language well first, so that you can actually utter intelligible sentences
and ideas, and only then learn the other languages.
Ken
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