[Harp-L] Chromatic playing and Hohner reed plates

[Lare Sattler <lmsattler@xxxxxxx>]

I have a couple of things, the first of which is: does anyone play chromatic harp with the tongue blocking method? I play blues harp exclusively with tongue block and when I try to play chromatic it seems like it would work better to pucker than tongue block, but that's like re-learning the harp. I'd appreciate some suggestions. Secondly, I have played diatonic harp for quite a while and have tried just about every brand and several different models of the most widely known brands. So far my favorite is the Suzuki Manji, though recently I tried Hohner Big Rivers, and though they aren't a bad harp, I just don't care for those molded, flimsy combs that many brands use, and have to change out the comb. I have tried various wood, Dymondwood, Corian, bamboo and acrylic combs. All in all, I prefer the Corian combs, but one thing I like about the Manji and Olive, though I have tried several different natural woods and bamboo, I prefer them as they come with
 their composite comb. Good job Suzuki!
Now getting to my question, I have not tried a Hohner Crossover yet. I have long wanted to, I just was afraid it was too much like an 1896 MB and not enough different to warrant the price. From what I read, the reed plates sound like they're same with the difference being mounting technique. If that and the sealed Bamboo comb are the only difference, I may as well stick to the Manji. A friend recently got a Crossover given to him, so I did get to see and hold one and they do feel good and he says it plays like a breeze. Most of his harps are Suzuki Bluesmasters and he said he liked it much better. If anyone has experience with this to share, I'd love to hear from you. Thanx in advance.
Lare Sattler    The Little Chicago Band    Canton Ohio