Re: [Harp-L] B-Radical
I wanted to add a little something to Don's post. Don is dead right about not
rushing to get a mediocre product out. People not in the know think that means
sitting around gawking at the instruments or something, and why don't they just
hurry etc., but that's not what it means at all.
After working there, I can come back and run Elk River better than ever because
of the skills i learned from brad and the workload in a hundred different
directions i learned to work under and i'll tell y'all right now Brad worked
harder than any one of us. You could not imagine the pressure that bears down on
HH to get product out faster. When I was client relations manager, oh boy, did I
ever feel it! We were all working full bore, 100 percent of the time.
Here is an example of what not rushing to get a mediocre product means, from
something I saw when I was there: there was a time last fall when the
coverplates we were supposed to get weren't there when they were supposed to
have been and we ran out of coverplates, again, you can't imagine the kind of
pressure that was on us to get instruments out the door. when the parts finally
arrived, it felt so great, we had coverplates and we could start getting B-rads
out the door again. But, no, there was some imperfection in them. 200
coverplates, all with some kind of imperfection. i don't remember what it was
exactly, but Brad rejected the entire batch because of those imperfections. we
were not about to send them out like that, because that's not how HH rolls and
it's not how Brad rolls. that was about three weeks lost. Any idea how precious
that three weeks was to us? damn precious.
When you are in a situation like that, with that kind of pressure, you have to
have a set of brass balls to stop production to keep from sending out a
substandard product.
By the time i left in february, most of those types of things had been ironed
out and they were still working on improving when i left. even if everything
runs to perfection, it doesn't mean that everybody gets their instruments
tomorrow, but it means that there is a tangible end to the backlog nobody
anticipated. there's no machine where you pull a lever and out pops a b-rad.
it's still a hand-built instrument. under the best of conditions, that takes
time.
Also, there was a post a few days ago requesting that a maker retool and mill
reeds vertically. Vertically-milled reeds has been this holy grail makers have
been after since at least the 1930s, I've seen documentation going back that
far. The B-radical is the only harmonica with vertically-milled reeds. Having
seen it done at Harrison, I can see why has done it. It's not easy to do, not
easy at all.
David
www.elkriverharmonicas.com
________________________________
From: "dzeller@xxxxxxxxxxx" <dzeller@xxxxxxxxxxx>
To: harp-l@xxxxxxxxxx
Cc: dzeller@xxxxxxxxxxx
Sent: Thu, April 14, 2011 9:13:17 PM
Subject: [Harp-L] B-Radical
Regarding the B-Radical, I would like to offer the following input. As a guy
who placed an order on the first hour of the first day that one could do so, I
can say: good things are worth waiting for. I ordered 3 harps that day after
playing Jason Ricci's prototype B Radical which completely blew my socks off.
This is coming from a guy who maintained and used great custom Marine Band harps
from Jimmy Gordon for years (until he started rivetting them back together to
prevent my own reedwork which apparently wasn't up to standard!). I received the
B-Radical C harp 5 months ago and have played it extensively since then at home
as well as at gigs, and was so pleased with it added several more harps to my
order immediately. I will be receiving 3 more within the next several weeks:
thankfully got the email stating they are ready to go out. I have spoken to the
folks at Harrison numerous times during these months, and gather that this labor
of love conceived by Brad Harrison did have some stumbling blocks and unexpected
delays, along with its triumphs. But rather than rush through with a mediocre
product to satisfy impatient clientele he has stuck to his mission to create the
finest quality harmonica ever produced, and to produce every individual harp
with the handmade and individualized quality that went into his first harp. I
cannot even imagine the crap he had to go through to stay the course, nor the
financial shortfall likely suffered due to insisting that nothing less
than perfect leave Harrison Harmonicas. I want everyone out there interested in
Harrison to know, and believe, that the playability, quality control, tuning,
timbre, tone, overblowability, loudness, and durability of the harp are
unsurpassed. My C remains in good tune and as airtight as the day I received
it.(and I have been know to blow out Speccial 20s on DAY 1)
I have never met Brad and have no connections to the company: this is
unsolicited and honest feedback.
Perhaps Brad is guilty of not accurately anticipating/predicting the problems
and delays inherent in breaking such new ground in initiating this collossal
project and producing harmonicas of this high caliber, but trust me when I tell
you that he is succeeding. Those of you waiting: hang in there, and know that
when you get your harp it will be great. Those like Bob waiting and watching to
decide whether they are worth the cost of 5 stock mass produced harps, I can
only say they are the finest thing you'll ever play! Keep up the good work Brad
and all the fine folks at Harrison Harmonicas!
Zig
(Following up on:
$500 B-radical on ebay
So did anyone ever explain what's happened to the B-Radical harp folks? I
was trying to follow the thread and see but may have missed it. If so,
please e-mail me off-list. Curious mind wants to know. I looked at the
Harrison Web site and it appears the same as ever, yet we are told no
B-Radicals are available. Wassup?
Thanks and Happy Webtrails,
Bob Loomis)
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