RE: [Harp-L] Technology these days ( Michael Posey)

[Buck Worley <boogalloo@xxxxxxx>]

That is some killer stuff. Thanks for sharing. Was that all done thru the POD line out and mic with no amp in the loop? What mic? Santana has always been known for his dorian mode stuff and you were right in there at the end with the sub-dorian 3rd position diatonic stuff. Well, you were right in the pocket in everything with some very powerful and awesome chops. YOU ROCK!
 
> From: Monsterharp@xxxxxxxxxxx
> To: boogalloo@xxxxxxx; geoffatkins@xxxxxxxxxxxxxx; harp-l@xxxxxxxxxx
> Subject: Re: [Harp-L] Technology these days ( Michael Posey)
> Date: Wed, 20 Oct 2010 19:37:14 -0400
> 
> POD's are cool I use a POD pro XT (rack mounted)
> take a listen ................I would be the harp player
> 
> http://www.youtube.com/watch?v=8UQGQdzR4I0
> 
> ----- Original Message ----- 
> From: "Buck Worley" <boogalloo@xxxxxxx>
> To: <geoffatkins@xxxxxxxxxxxxxx>; <harp-l@xxxxxxxxxx>
> Sent: Wednesday, October 20, 2010 9:35 AM
> Subject: RE: [Harp-L] Technology these days ( Michael Posey)
> 
> 
> 
> DITTO ! and......
> 
> My case in point: At church, they do not let me use an amp which is fine 
> because I am going for a clean sound. Here's what I do. The church has an 
> old Line6 POD (kidney bean) that was originally bought for the electric 
> guitar player (they took his amp away too). He left our church (for 
> unrelated reasons) and I asked if I could take the POD home and noodle 
> around with it. I had to program a clean patch just for my harp sound and I 
> plug a JT30 with a Switchcraft VC into the POD (same mic/VC I use for blues 
> through an amp). Holding the mic with an open grip ie little or no cupping 
> and using the VC, I DI from the POD into the PA and play padding with the VC 
> at 75%. Then when I do fills or solo, I turn up the VC to 100%. This gives 
> me almost total control over my tone and volume thus the sound engineer 
> loves it because he does not have to worry about "chasing" me (he has piano, 
> the choir, lead singer(s), a 6 piece band which includes me and a 7 to 10 
> piece orchestra to deal with).
> 
> > From: geoffatkins@xxxxxxxxxxxxxx
> > To: harp-l@xxxxxxxxxx
> > Date: Wed, 20 Oct 2010 07:09:05 +0200
> > Subject: [Harp-L] Technology these days ( Michael Posey)
> >
> >
> >
> > Michael said: ........When playing gigs where there is a house PA and set 
> > up
> > time is a factor, experience has taught me that the easier you make the PA
> > tech and/or soundmans job when it comes to amplifying the harp, the better
> > my gig will be. A line-out to either a Hi-Z input using a 1/4 inch or a DI
> > into a LO-Z (XLR) PA input is a no-brainer.
> > ....... Technology these days!!!!...........
> >
> > I use a Shure 520 DX from which I took the 127 unit and replaced it with 
> > an
> > R198, delightful to play into. (...Man this flame suit is tight!...)
> >
> > I went to a gig recently, without an amp or pedal, ( I just asked for 
> > treble
> > cut and a little reverb) and the sound man refused to accept my Green
> > Bullet.
> > Quote "someone has been messing with it, it should be a balanced line but
> > it's only got a 6mm jack, it's not going into MY system!"
> > Looking at the rat's nest of his system I decided that I'd take up his 
> > offer
> > of a battered SM58 rather than argue.
> > The sound was OK, I got my reverb.
> >
> >
> > Geoff Atkins
> >
> >
> >
> 
>