Re: [Harp-L] The McGurk Effect, (Michael Rubin)
- To: geoff atkins <geoffatkins@xxxxxxxxxxxxxx>
- Subject: Re: [Harp-L] The McGurk Effect, (Michael Rubin)
- From: joe leone <3n037@xxxxxxxxxxx>
- Date: Sun, 14 Nov 2010 19:56:27 -0500
- Cc: Harp L Harp L <harp-l@xxxxxxxxxx>
- In-reply-to: <!&!AAAAAAAAAAAYAAAAAAAAAMKV+PKkmm9NtNJSRhRmc13CgAAAEAAAAORDAQ0lQBRHrDRYezYGrT4BAAAAAA==@bergmont.co.za>
- References: <201011122054.oACKrEjJ014734@harp-l.com> <!&!AAAAAAAAAAAYAAAAAAAAAMKV+PKkmm9NtNJSRhRmc13CgAAAEAAAAORDAQ0lQBRHrDRYezYGrT4BAAAAAA==@bergmont.co.za>
On Nov 14, 2010, at 1:44 AM, geoff atkins wrote:
My theory is that the listener equates the pitch with increasing
difficulty,
as with say a saxophone, and thinks he's hearing "better" playing?
Yes, even if they ARE a harp player. Reason? Not a lot of harpies DO
upper register (alla Jimmy Reed) much.
Anyone else noted this pitch effect, or that of the speed of playing?
Regards
Geoff Atkins
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