[Harp-L] Embossing and customizing
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Embossing and customizing
- From: Mike Fugazzi <mikefugazzi@xxxxxxxxx>
- Date: Tue, 12 Jan 2010 11:43:39 -0600
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I know this topic has been covered many times, but I have a more involved
question. I am trying to master this art and have tried using a penny,
socket, exacto knive, and the back of a counter sink. I can visibly see and
can feel the brass moving. I have gotten reeds stuck, so I know the
embossing is taking place. However, when I hold the reed up to the light,
it always seems that the gap between the reed and reedplate is the same as
if not embossed. To go a step further, I have applied pressure to check the
spacing with the reed in the slot, and the same thing occurs. I have tried
embossing each side separately and together. I have even used a reed wrench
to move the reed, emboss, and replace.
I *think* I am getting results, althought the gapping helps too, but can't
visibly see them...or maybe I get to a point where the reed becomes a bit
embossed but won't move anymore. I don't rush things and if it takes a
couple of hours to emboss, or whatever, I have the patience. I would like
to do whatever it takes to excel at this. I have gotten solid at arcing and
make sure the reed is parallel to the reed plate. I have used Rupert
Oysler's video with success as well. Tuning isn't an issue...gapping goes
well...but I think I am missing something when embossing.
Thanks for any info you can provide. I must be getting the hang of
something as even with my lower harps like Ab or Low F, I am able to
overblow, sustain the ob, and bend the ob. That being said, I can still
hear/feel some leaking air at times.
Mike Fugazzi
harmonica/vocals
NiteRail <http://www.niterail.com>
"Rock and Blues Ablaze"
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