[Harp-L] Why an A minor is different from C major & beyond
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- Subject: [Harp-L] Why an A minor is different from C major & beyond
- From: "Mox Gowland" <mox.g@xxxxxxxxx>
- Date: Wed, 7 Oct 2009 17:41:16 +0200
The way that any note will "sound" to the human ear is in relalation to the other notes played with it .
A single note changes it's name according to its intervalic relationship to a chord,
therefore ;
C in the Key of Gb = Augmented 4th ....Gb in the key of C = Diminished 5th
C in the Key of Db = Major 7th ....Db in the key of C = minor 2nd
C in the Key of Ab = Major 3rd.....Ab in the key of C = minor 6th
C in the Key of Eb = Major 6th......Eb in the key of C = minor 3rd
C in the Key of Bb = Major 2nd . ..Bb in the key of C = flat 7th
C in the Key of F = Perfect 5th ....F in the key of C = Perfect 4th
C in the Key of C = 1st degree/tonic..C in the Key of C = 8th degree/octive
C in the Key of G = Perfect 4th .....G in the key of C = Perfect 5th
C in the Key of D = dominant 7th ....D in the key of C = Major 2nd
C in the Key of A = minor 3rd .......A in the key of C = Major 6th
C in the Key of E = minor 6th........E in the key of C = Major 3rd
C in the Key of B = minor 2nd.......B in the key of C = Major 7th
C in the Key of F# = Diminished 5th... F# in the key of C = Augmented 4th
other considerations;
Mathematicaly all inverted intervals add up to nine
example ;
C/A is a Major 6th whilst A/C is a minor 3rd
6 +3 = 9
Major becomes minor - minor becomes Major
Diminished becomes Augmented - Augmented becomes Diminished
Hope this is readable
Mox
http://www.youtube.com/user/hokumsheik
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