Re: [Harp-L] proper mic technique Newbie needs help



Hi, Ryan - well as far as one can tell from the video you certainly have nice tone. But I think you might be doing this more than you think, and if not, you owe it to yourself to try. TRY IT and you'll see what I mean. Get your best cup possible on the mic, and just pucker blow the 4 hole, for example, leaving as much of the front of the harp open as possible. Try a hand wah. NOW, put the whole left side of the harp in your mouth and TB to blow the same 4 hole. Cover up the 9 and 10 with your right thumb and then angle the harp back to the right so that you're pushing your thumb into your cheek - obviously trying to seal all those holes. Try a WAH again - it will be MUCH stronger. Your tone should be much deeper. And you can even feel as you reverse between blow and draw the pressure on your hands if you really get it right. I find this easy down for 1-5 or so but fail to do it well on the upper part of the harp.

I disagree with you about the mics - I mean, yes, you CAN learn with them, but neither are nearly as good as what can be had (although not for $100), not even close. I agree with those who say owning gear capable of producing GREAT tone is very helpful when learning. The element in the new BluesBlasters is simply junk, and the dynamic element in the 520DX has both more headroom and broader frequency response than the older ones, making it less responsive to hand techniques and good cupping techniques. It is also heavy enough to be a weapon, and very large in circumference which makes it very hard to cup properly, especially for people with smaller hands. For those reasons and some others it is not a good candidate for modification - so it ends up being a complete waste of money. I speak from personal experience - I bought a 520DX as one of my first mics, AND I bought a BluesBlaster expecting it to have an Astatic crystal. I was a newbie and like SOME of them, I was just clueless. I had no reason to believe these weren't going to be good mics. It took me more years to develop better mic technique and be able to hear the difference. But now if I want to teach a student, I want THEM to be able to hear the biggest difference possible between right and wrong, with the best quality from "right" because it really helps them focus and hone in on good technique.

So those are my reasons - but I think respectful disagreement is a good thing and I certainly acknowledge your expertise and opinion.


Cheers!



/Greg


http://www.blowsmeaway.com
http://www.bluestateband.net



On Apr 5, 2009, at 7:46 AM, Ryan Hartt wrote:

Greg, If do what you say I do below I am certainly not conscious of it. I could be wrong but I would think the amount of compression gained by sealing the other holes would be pretty small. And I think it would be nearly impossible to cover every unplayed hole. My thumb just goes on the top holes because that it where it is most comfortable and I don't think I put that much of the harp against my cheek.

Also regarding $100 mics. Yes the Blues Blasters and Shure 520DX, there are definitely better mics available, but for Abner's purpose of learning to play amplified harp they would do fine.
Ryan


> From: greg@xxxxxxxxxxx
> To: harp-l@xxxxxxxxxx
> Subject: RE: [Harp-L] proper mic technique Newbie needs help
> Date: Fri, 3 Apr 2009 20:18:45 -0700
>
> Ryan's video is great, but he fails to mention a very important point.
> In fact, I have found MOST people fail to mention it. I had to
> discover it on my own. SO - not to take anything away from Ryan - who
> clearly DOES what I'm about to tell you - he just doesn't talk about
> it, probably because he learned so long ago he doesn't even think
> about it....I'm going to give you the "rest of the secret" to great
> cupped tone. Sealing the FRONT of the harp is equally as important as
> sealing the back. What I mean is, the back can have an airtight
> chamber between the harp and the mic, but if you pucker a 5 blow and
> the other holes are open to the atmosphere, almost all the air will
> escape out the front of the harp and you won't "force-couple" the
> sound waves to the mic's element in the way that produces that really
> fat sound. Your goal is not only to have an airtight seal between the
> back of the harp and the mic, but to see that every hole on the front
> of the harp is either in your mouth, or sealed off. You can see Ryan
> using a combination of his right thumb sealing off the top couple of
> holes, and his cheek (by angling the harp back on the right side so
> that it rests against his cheek.) The bottom 4 or 5 holes are in his
> mouth, some undoubtedly sealed by his tongue or lips. THIS TECHNIQUE
> IS ESSENTIAL to getting fat tone. When you master it (and believe me,
> it takes practice) you will hear a HUGE difference in your tone, and
> your wahs will plunge the depths of the ocean.
>
> On the other statement - I consider "good" green bullets as anything
> earlier than (but not including) a 520DX, or Blues Blasters with
> Astatic elements, not the later junk Hohner put in when they ran out
> of Astatics.) If you know where I can get THOSE for $100 I'll buy
> every one of them. Honestly, I think the prices have gone higher than
> that. You CAN get lucky, particularly OFF of eBay, such as Craigslist
> and garage sales and flea markets - but I'm afraid those mics are
> fetching higher prices on eBay these days.
>
> /Greg
>
> http://www.blowsmeaway.com
> http://www.bluestateband.net
>
>
>
> > rom: Ryan Hartt <rhartt1234@xxxxxxxxxxx>
> > Date: April 3, 2009 9:41:16 AM PDT
> > To: <cdgaldos@xxxxxxxxxxxxx>, <harp-l@xxxxxxxxxx>
> > Subject: RE: [Harp-L] proper mic technique Newbie needs help
> >
> >
> >
> > Abner,
> > If I may humbly offer the following:
> > http://www.youtube.com/watch?v=i2grIYzis_c
> > Maybe a wand/stick mic isn't for you. They aren't for me and my
> > short, fat, often sweaty fingers.
> > I'm a JT-30 man through and through.
> > You can't get a Blue Blaster or a Shure Green Bullet for about a
> > $100 that will suit your purpose.
> > Ryan
>
>
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