Re: [Harp-L] Re: Tone Gear Grail blah blah blah
- To: Ray Beltran <raybeltran@xxxxxxxxxxxxxxx>
- Subject: Re: [Harp-L] Re: Tone Gear Grail blah blah blah
- From: Rick Davis <bluesharpamps@xxxxxxxxx>
- Date: Wed, 1 Apr 2009 11:10:04 -0600
- Cc: harp-l@xxxxxxxxxx, icemanle@xxxxxxx
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- In-reply-to: <14691710-2404-40D8-BB64-D9F89F629DFF@resgraphics.com>
- References: <200904011247.n31Ckrfo011675@harp-l.com> <14691710-2404-40D8-BB64-D9F89F629DFF@resgraphics.com>
It takes time to define that goal into workable terms. New players can't
even hear what we do; The first time they pick up a harp they think "Where
are all those notes I heard that guy play?"
So, the goal usualy takes the form of aspiring to sound like another
player. When I started 35 years ago I wanted to sound like Jimmy Fadden.
Within a couple of years he was replaced by Mark Wenner and then Paul
Butterfield.
After the player gains some profiency he can develop a goal that includes
steps and landmarks along the way. But at first - for several years perhaps
- the best course is to just play. If he wants to sound like Wenner or
Butter or Kim Wilson or Rick Estrin he should get a small tube amp and honk
on it all day long. Even if at first he sounds like a "hack," which I think
is a very unkind way to describe a new player.
On Wed, Apr 1, 2009 at 10:32 AM, Ray Beltran <raybeltran@xxxxxxxxxxxxxxx>wrote:
> So true...
>
> You have to have a goal in mind; you have to know what you're searching
> for.
>
> That was my first step.
>
> Ray.
> --
> My Music - www.resgraphics.com/music
> My YouTube - www.youtube.com/raybee127
>
>
>
>
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