Re: [Harp-L] chromatic - playing in all keys
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] chromatic - playing in all keys
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Wed, 26 Mar 2008 09:15:47 -0700 (PDT)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=cL6BvWvJpayk9UkCB1fjM+sCi47iCp4PttGVY0uFl0nWD1u5mDpzLmhfrongXtM2VOudfxSYYE0Q1C34349SBiyoa9oTpzho/HfLifwc1u/0Iv6EFayx7gbdX1A7CwkcJXJLqbj2JONK3pouGS0HyCIaSGokvSS7vJ9OBdZ58e8=;
- In-reply-to: <01D07E28-A53E-4E59-9242-E4B738A4DA30@gmail.com>
Third position on chromatic has a nice fat chordal basis, as do first, second, and third positions on diatonic, so there's a strong comfort level in playing that way.
I agree that playing blues in multiple keys is a lot of fun. The current series of my column at harmonicasessions.com:
http://harmonicasessions.com/feb08/Yerxa.html
shows how easy it can be to play blues in B on chromatic, with just one slide-in note - F#.
The series will continue through E, A, and, all using the slide, then move on to other keys.
Winslow
"G. E. Popenoe" <gpopenoe@xxxxxxxxx> wrote: As a chromatic player, I'd like to respectfully challenge those of you
who play blues to try using the instrument's full capabilities. I've
noticed that some players will buy a different chromatic for almost
every key. That makes them very expensive diatonics.
I know that some players use chromatics in this way to get a specific
sound and that's great. However, I've played chromatic in blues bands
playing all keys on one C chromatic just as I would in jazz. This has
opened up opportunities to be more sax like in phrasing.
When I mic it through my Rivera , the distinction between the sound of
the chromatic and the usual diatonics is blurred.
If you are concerned about the challenges of mastering scales on the
instrument, I would recommend the baby steps approach. Start with the
open keys (keys with few slide fingerings). These often are good blues
keys as well.
D - no slide
E- two slide fingerings.
G-one slide fingering
C- two slide fingerings
Etc.
Gary Popenoe
On Mar 25, 2008, at 11:05 PM, Winslow Yerxa
wrote:
> Standard chromatic tuning, usually third position (D on a C
> chromatic, G on an F, etc.).
>
> Winslow
>
> gary hilt wrote: Hey hi ya'll:
> Ive been playing mostly chromatic for several months and really
> like Wm. Clarke. What tunings does he use for chromatic blues?
> Aprreciate any feed back.
>
> Sokessensei
>
>
> Gary L. Hilt
>
>
> Eph 1:2 Grace be to you, and peace, from God our Father, and from
> the Lord Jesus Christ.
>
>
> ---------------------------------
> Be a better friend, newshound, and know-it-all with Yahoo! Mobile.
> Try it now.
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
>
> ---------------------------------
> Be a better friend, newshound, and know-it-all with Yahoo! Mobile.
> Try it now.
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
---------------------------------
Never miss a thing. Make Yahoo your homepage.
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.