[Harp-L] Re: Sorry, Sonny JR full sale



Sonny Jr 410's , 5 pieces, at 1595 each. Contact me personally. Gary  Smith 
is sending me good reports on the Cruncher. We do not have sound bites,  but if 
anyone on the West Coast can get a good recording of Gary playing the  amp, 
showing the amp, I will pay you. Contact me first. For reviews of the  Cruncher 
and 410 just go to the site   _www.sonnyjr.com_ (http://www.sonnyjr.com)     
Why the  sale, my house is in jeopardy, simple as that. I am sure we all are 
up against  the wall, this is my only source of income.I never want it to sound 
 like , Oh poor me. I put myself in this situation and you all can get  great 
deals due to it. Within 2 weeks lead time.     
 
In a message dated 7/30/2008 5:32:09 P.M. Eastern Daylight Time,  
harp-l-request@xxxxxxxxxx writes:
 
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Today's Topics:

1. Re: Suzuki  ProMaster Video Up (Fernando Bresslau)
2. Re: strange OverBlow  (Philharpn@xxxxxxx)
3. Re: strange OverBlow (David  Payne)
4. Re: addendum to vibrato vid  (Philharpn@xxxxxxx)
5. harp case  (bfrain@xxxxxxxxxxxxx)
6. How I vibrate, and my point of view  and this subject
(Christelle Berthon)
7. Overblow triplets (jazmaan@xxxxxxxxxxx)
8. Sentimental  Tokens - was Buying Harps on Ebay (John Balding)
9. re: harp  case (bfrain@xxxxxxxxxxxxx)
10. Re: Overblow triplets (Winslow  Yerxa)
11. The long-lost Seydel brother (David Payne)
12.  Re: Sentimental Tokens - was Buying Harps on Ebay
(Joe  and Cass Leone)
13. Re: Harmonica in pop music: Jack Johnson (Ben  FELTEN  [ML])


----------------------------------------------------------------------

Message:  1
Date: Wed, 30 Jul 2008 17:46:38 +0200
From: "Fernando Bresslau"  <fernando@xxxxxxxxxxxxxxx>
Subject: Re: [Harp-L] Suzuki ProMaster  Video Up
To: harp-l <harp-l@xxxxxxxxxx>
Message-ID:
<bd4dc6f30807300846p6cebe177ta01454404e665414@xxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=ISO-8859-1

Hi Bredan,

in that video, at  about 3:14 you state that the harmonicas have the same
"laser cut phosphor  bronze reeds". HOw exactly is laser used in the
production of reeds at  Suzuki? I would assume during tuning, is that right?
Great videos, btw, I  enjoyed them all.
All the best from  Mannheim,

Fernando
http://bresslau.com/blog


On Tue, Jul  22, 2008 at 09:28, Brendan Power <bren@xxxxxxxxxxxxxxxxx>  wrote:

> A new video featuring the Suzuki valved diatonics  (Promaster MR350-V and
> MR350-GV) is up:
>
>  http://www.youtube.com/watch?v=sHuiExkUH4E
>
> These are the only  commercial half-valved diatonics available. For those
> not familiar  with them, the valving allows bending expression, vibrato
> etc on the  lower blow and upper draw notes (impossible on an unvalved
> harp), in  addition to the normal draw and blow bends. The video
> demonstrates  these features.
>
> Brendan
> WEB:  http://www.brendan-power.com  <http://www.brendan-power.com/>
>
>
>  _______________________________________________
> Harp-L is sponsored by  SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
>  http://harp-l.org/mailman/listinfo/harp-l
>


------------------------------

Message:  2
Date: Wed, 30 Jul 2008 12:10:47 EDT
From:  Philharpn@xxxxxxx
Subject: Re: [Harp-L] strange OverBlow
To:  arnoldw.id@xxxxxxxxx, harp-l@xxxxxxxxxx
Message-ID:  <d12.14bc7f48.35c1ec87@xxxxxxx>
Content-Type: text/plain;  charset="ISO-8859-1"


In a message dated 7/30/08 6:55:41 AM,  arnoldw.id@xxxxxxxxx writes:


> Dear all,
> 
> I'd  like to ask about OBs. I think I popped my first OB by using
>  unmodified SP20 C harmonica on hole 5. BUT, When I checked it with
>  bendometer, it said that I popped Eb instead of F#? Does anybody know
>  what's happening?  I also tried on unmodified GM C Harmonica, and
>  still got the same thing.
> 
> Arnold
> 

To make sure  that you are actually playing the reed channel you think you 
are 
playing,  put Scotch tape over the holes on either side of hole 5. This will 
ensure  that you are actually sounding hole 5. 
Then check it with the bendometer.  You can also use two little pieces   of 
paper to block the  "outside" holes.   




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------------------------------

Message:  3
Date: Wed, 30 Jul 2008 09:50:39 -0700 (PDT)
From: David Payne  <dave@xxxxxxxxxxxxxxxxxxxxxx>
Subject: Re: [Harp-L] strange  OverBlow
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID:  <143166.87312.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=iso-8859-1

I'd suggest using your ear, it's more  reliable than fancy equipment. Sound 
the overblow, then play the regular blow  note in that hole. that'll tell you. 
If it's lower than the blow note in that  hole, you've got the Eb. My guess 
would be you are actually playing hole 4,  where I believe the overblow is Eb. 
Unless, there's an equipment problem, but  I'd say you're on hole 4.
Dave
___________________________
Dave Payne  Sr. 
Elk River Harmonicas
www.elkriverharmonicas.com 


-----  Original Message ----
From: "Philharpn@xxxxxxx"  <Philharpn@xxxxxxx>
To: arnoldw.id@xxxxxxxxx;  harp-l@xxxxxxxxxx
Sent: Wednesday, July 30, 2008 12:10:47 PM
Subject:  Re: [Harp-L] strange OverBlow


In a message dated 7/30/08 6:55:41  AM, arnoldw.id@xxxxxxxxx writes:


> Dear all,
> 
>  I'd like to ask about OBs. I think I popped my first OB by using
>  unmodified SP20 C harmonica on hole 5. BUT, When I checked it with
>  bendometer, it said that I popped Eb instead of F#? Does anybody know
>  what's happening?  I also tried on unmodified GM C Harmonica, and
>  still got the same thing.
> 
> Arnold
> 

To make sure  that you are actually playing the reed channel you think you 
are 
playing,  put Scotch tape over the holes on either side of hole 5. This will 
ensure  that you are actually sounding hole 5. 
Then check it with the bendometer.  You can also use two little pieces  of 
paper to block the "outside"  holes.  




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_______________________________________________
Harp-L  is sponsored by SPAH,  http://www.spah.org
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http://harp-l.org/mailman/listinfo/harp-l




------------------------------

Message:  4
Date: Wed, 30 Jul 2008 12:51:59 EDT
From:  Philharpn@xxxxxxx
Subject: Re: [Harp-L] addendum to vibrato vid
To:  groovygypsy@xxxxxxxxx, harp-l@xxxxxxxxxx
Message-ID:  <bf2.33384b59.35c1f62f@xxxxxxx>
Content-Type: text/plain;  charset="US-ASCII"


In a message dated 7/17/08 4:58:29 PM,  groovygypsy@xxxxxxxxx writes:


> I just posted a new vid
>  
> http://www.youtube.com/watch?v=Kk07St34RZE
>  _______________________________________________
> Harp-L is sponsored by  SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
>  http://harp-l.org/mailman/listinfo/harp-l
> 
> 

While the  video is complete as it is, I would like to see more time on 
demonstrating  how to master the vibrato technique -- breaking it down, 
showing what 
it  looks, feels like without the harp -- rather than just showing what it  
sounds like.

Other than that, I thought it was  excellent.


**************
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football with free  live scoring. Sign up for FanHouse Fantasy Football today.

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------------------------------

Message:  5
Date: Wed, 30 Jul 2008 13:36:43 -0400
From:  <bfrain@xxxxxxxxxxxxx>
Subject: [Harp-L] harp case
To:  harp-l@xxxxxxxxxx
Message-ID:
<10268163.908761217439404054.JavaMail.root@hrndva-web17-z02>
Content-Type:  text/plain; charset=utf-8

i bought a fishing tackle box for $35 at  academy sports near austin... was 
loading gear into it...noticed how suitable  it  would be for harps...tried a 
harp in the top storage area, and it fit  perfectly!  went to academy and got 
another one!  here's the model,  and they have it on amazon, i noticed...but 
for $49...  :(

Plano  3258 flip sider

i fit 19 harps on top, which has it's own lid.   very ez to pick out a harp.  
unzip the top, open the entire lid,   and you have storage for another 20 
harps, plus mic and cord!
used it at a  jam the other night, and it was perfect.  and to think i almost 
spent  $200 on a case that can sit on a mic stand...
nobody gave me grief over how  it looked, and i've had comments about my 
chrome case before...of course, when  they hear me play, nobody can speak!  yeah, 
i'm that  good...LOL!

seriously, if you're in the market, that case kicks it  completely.  also 
great for fishing tackle!

this is my first post,  but i've gotten a lot out of the site! can't wait to 
get the kinder afb that  was posted the other day!  i'm gonna blow the guitars 
off the  stage!

Bill


------------------------------

Message:  6
Date: Wed, 30 Jul 2008 19:49:42 +0200
From: Christelle Berthon  <christellester@xxxxxxxxx>
Subject: [Harp-L] How I vibrate, and my  point of view and this subject
To: harp-l@xxxxxxxxxx
Message-ID:  <3ABDE0EE-F4A0-4040-9BC7-F6B06E460C3C@xxxxxxxxx>
Content-Type:  text/plain; charset=US-ASCII; format=flowed; delsp=yes

Hi harp  players


Chris has posted videos on the vibrato and this is good  stuff

I've had the same idea to do the same hoping that it'll help you  at  
some  stage...

http://fr.youtube.com/watch?v=vfsLt9avocY


Christelle

www.youtube.com/christellester
iChat:  christel75015 (AIM account)
MSN:  christel69_27@xxxxxxxxxx





------------------------------

Message:  7
Date: Wed, 30 Jul 2008 11:06:58 -0700 (PDT)
From:  "jazmaan@xxxxxxxxxxx" <dmf273@xxxxxxxxx>
Subject: [Harp-L] Overblow  triplets
To: harp-l@xxxxxxxxxx
Message-ID:  <850079.25997.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=us-ascii

How do you all feel about rapid jazz  triplets that contain overblows?    I 
can't pull them off in a  satisfactorily smooth manner, but I don't claim to be 
proficient at  OB's.   If you can point me to an example of someone who does 
it  well, I'd like to hear it (or see it on  YouTube.)


------------------------------

Message: 8
Date:  Wed, 30 Jul 2008 14:40:07 -0400
From: "John Balding"  <John.Balding@xxxxxxxxxxxxxxxx>
Subject: [Harp-L] Sentimental Tokens  - was Buying Harps on Ebay
To: "Harp L Harp L"  <harp-l@xxxxxxxxxx>
Message-ID:
<F38163487B9C674E8EF6A3C1701AFB02033A699F@xxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain;    charset="iso-8859-1"

I get the sentimental  thing, but for me, it's the other side of the coin: 
things I wouldn't want to  part with. 

I have my grandfather's Marine Band in G that he used to  mess around with on 
slow days while stationed in the Philippines during WWII.  The covers are a 
bit rusty and some of the nails are loose, but it plays a  sweet tune that only 
a harp with a lot of stories to tell could play.

I  wouldn't be able to get the cost of a new MB for it. My grandfather wasn't 
 famous. He was just a hard-working, honest man from Waycross, Georgia. But  
this harp is priceless to me just the same.

Also, I have a  half-full/half-empty bottle of Tanquerey gin that Junior 
Wells drank from  while we talked after a show back in '95. He actually killed 
half the bottle  while we talked about family, religion and the importance of 
practicing harp.  He walked away...I grabbed the bottle. It sits on my dresser, 
much to my  wife's dismay. Not worth a plug nickel, but to me it is a priceless 
reminder  of a beautiful moment in time.

John Balding
Tallahassee,  FL

-----Original Message-----
From: harp-l-bounces@xxxxxxxxxx  [mailto:harp-l-bounces@xxxxxxxxxx] On Behalf 
Of David Payne
Sent: Tuesday,  July 29, 2008 5:50 PM
To: Harp L Harp L
Subject: Re: [Harp-L] Buying  harps on Ebay]]


I've got a couple harps that were played by Joe  Leone. That's much more 
valueable to me than a Dylan harp. Although, if  anybody wants to give me $12,000 
for one, feel free. Even with me,  sentimentality has a  price.

Dave
____________________________
Dave Payne Sr. 
Elk  River Harmonicas
www.elkriverharmonicas.com 

> I don't understand  how a harmonica played by Cash, Dylan, Lennon,  
> (being used),  would be worth more than 12 dollars. I mean, what are  
> we  talking about here? We're talking about used harps. And, no one  
>  can even prove they belonged to these people anyway. And even if they   
> did, so what.
> 
> smo-joe
> 
> On Jul 29,  2008, at 2:38 PM, David Payne wrote:
> 
> > I wouldn't pay 12  grand for the Blues Harp even if I saw Dylan  
> > himself play  it.
> > Dave
> > ______________________
> > Dave  Payne Sr.
> > Elk RIver Harmonicas
> >  www.elkriverharmonicas.com
> 
>  _______________________________________________
> Harp-L is sponsored by  SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
>  http://harp-l.org/mailman/listinfo/harp-l
_______________________________________________
Harp-L  is sponsored by SPAH,  http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l


_______________________________________________
Harp-L  is sponsored by SPAH,  http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l



------------------------------

Message:  9
Date: Wed, 30 Jul 2008 15:03:56 -0400
From:  <bfrain@xxxxxxxxxxxxx>
Subject: [Harp-L] re: harp case
To:  harp-l@xxxxxxxxxx
Message-ID:
<4914273.926981217444636430.JavaMail.root@hrndva-web17-z02>
Content-Type:  text/plain; charset=utf-8

a website that has a great description of the  case is: walleye fan
it shows how the top hinges, with the slots for  individual harps.  awesome!  
and it's texas burnt orange!  hook  'em!


------------------------------

Message: 10
Date:  Wed, 30 Jul 2008 12:25:25 -0700 (PDT)
From: Winslow Yerxa  <winslowyerxa@xxxxxxxxx>
Subject: Re: [Harp-L] Overblow  triplets
To: harp-l@xxxxxxxxxx, jazmaan@xxxxxxxxxxxxxx
Message-ID:  <287331.24505.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=us-ascii

I don't have an audio or video example at  hand, but I do have a few 
observations.

Bends of any kind - draw, blow,  overblow, overdraw, valved, dual-reed, etc. 
- can be sustained when the  activating mechanism in the players mouth sets up 
a stable condition that will  keep the bend going as long as the player 
chooses. However, that stable  condition can be disturbed -and the bend condition 
destroyed - by the motion  of body parts within the mouth chamber or adjacent 
to it. So if you try to add  vibrato to a bent note, or repeat the same bent 
note by stopping and starting,  you may find that the bent note goes away.

If you try to add vibrato to  a bent note or try to articulate a bend into a 
distinct series of repeated  notes such as a triplet, you have to do it in 
such a way that you don't  disturb the bend. Motions of the tongue, soft palate, 
or glottis can  potentially create vibrato or articulate notes, but can also 
disturb  bends.

For instance, I can remember a time when I was unable to add  throat vibrato 
to a bent note and instead resorted to tongue or diaphragm  vibrato instead. 
Now I find that I can use throat vibrato on any kind of bend  or overbend.

To gain control over vibrato and articulation of sustained  bent notes, do 
two things:

First, strengthen you ability to play a bent  note with full tone and volume 
and sustain it as long as you  like.

Then, work to execute motion of tongue, glottis (the part of the  throat that 
can cough at whisper volume) and soft palate while sustaining the  bend. 
After awhile, you'll find you can do most anything bent that you can do  unbent.

Winslow

--- On Wed, 7/30/08, jazmaan@xxxxxxxxxxx  <dmf273@xxxxxxxxx> wrote:
From: jazmaan@xxxxxxxxxxx  <dmf273@xxxxxxxxx>
Subject: [Harp-L] Overblow triplets
To:  harp-l@xxxxxxxxxx
Date: Wednesday, July 30, 2008, 11:06 AM

How do  you all feel about rapid jazz triplets that contain overblows?     I
can't pull them off in a satisfactorily smooth manner, but I  don't
claim to be proficient at OB's.   If you can point me to an  example of
someone who does it well, I'd like to hear it (or see it on  YouTube.)
_______________________________________________
Harp-L is  sponsored by SPAH,  http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l




------------------------------

Message:  11
Date: Wed, 30 Jul 2008 12:48:06 -0700 (PDT)
From: David Payne  <dave@xxxxxxxxxxxxxxxxxxxxxx>
Subject: [Harp-L] The long-lost Seydel  brother
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID:  <155635.79964.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type:  text/plain; charset=iso-8859-1


I have heard that the founding  Seydel brothers, Christian August Seydel and 
Johann August Seydel left their  brother's harmonica company, J.C. Seydel in 
1847 to start their own business.  Basically all I know about the original 
Seydel harmonica company is that it  predates the current Seydel company. Anybody 
know anything about J.C. Seydel?  
Dave 
________________________
Dave Payne Sr. 
Elk River  Harmonicas
www.elkriverharmonicas.com  



------------------------------

Message: 12
Date:  Wed, 30 Jul 2008 15:50:07 -0400
From: Joe and Cass Leone  <leone@xxxxxxxx>
Subject: Re: [Harp-L] Sentimental Tokens - was  Buying Harps on Ebay
To: "John Balding"  <John.Balding@xxxxxxxxxxxxxxxx>
Cc: harp-l@xxxxxxxxxx
Message-ID:  <5CA1FFC0-F3A1-43ED-8850-7B277EAC093D@xxxxxxxx>
Content-Type:  text/plain; charset=US-ASCII; delsp=yes; format=flowed


On Jul 30,  2008, at 2:40 PM, John Balding wrote:

> I get the sentimental thing,  but for me, it's the other side of the  
> coin: things I wouldn't  want to part with.

Now you're talking my language.
>
> I  have my grandfather's Marine Band in G that he used to mess  
>  around with on slow days while stationed in the Philippines during   
> WWII. The covers are a bit rusty and some of the nails are  loose,  
> but it plays a sweet tune that only a harp with a lot of  stories to  
> tell could play.

Now see, that would be  priceless (to me) and one couldn't PUT a price  
on something like  that. It is something that could only be GIVEN  
away...to someone  special.
>
> I wouldn't be able to get the cost of a new MB for  it. My  
> grandfather wasn't famous. He was just a hard-working,  honest man  
> from Waycross, Georgia.. But this harp is priceless  to me just the  
> same.
>
> Also, I have a  half-full/half-empty bottle of Tanquerey gin that  
> Junior Wells  drank from while we talked after a show back in '95.  
> He  actually killed half the bottle while we talked about family,  
>  religion and the importance of practicing harp. He walked away...I   
> grabbed the bottle. It sits on my dresser, much to my wife's   
> dismay. Not worth a plug nickel, but to me it is a priceless   
> reminder of a beautiful moment in time.

Yes indeed, these are  the precious moments of our lives.
>
> John Balding
>  Tallahassee, FL

To me, and this is only my personal opinion, the people  here on harp- 
l and slidemeister are more precious than all the 'so  called' famous  
stars and entertainers. Not a lot of plastic phonies.  There's some  
real winners here. Real people being real people  leading real  lives.

smo-joe


------------------------------

Message:  13
Date: Wed, 30 Jul 2008 23:30:18 +0200
From: "Ben FELTEN [ML]"  <lists@xxxxxxxxxxxxxxxxxxx>
Subject: Re: [Harp-L] Harmonica in pop  music: Jack Johnson
To: BostonMoeJo <bostonmoejo@xxxxxxx>
Cc:  harp-l@xxxxxxxxxx
Message-ID:  <4890DD6A.7060200@xxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain;  charset=ISO-8859-1; format=flowed

That's G. Love on  harmonica.

Check out his albums, there's lots of very interesting harp  there.

Short and sweet solo in Kiss &  Tell:

http://www.youtube.com/watch?v=RZsMpwxElyw

Dylan-y sweet  in this one (also with Jack  Johnson):

http://www.youtube.com/watch?v=TMYpZIFPQOI

And some  seriously mean harp here in  Jersey:

http://www.youtube.com/watch?v=WVUtEXSgt9k

I love G.  Love.

Oops, did I say that out loud ?

Ben


BostonMoeJo  a écrit :
>  http://www.youtube.com/watch?v=OPXU33iquDE&feature=related
>  _______________________________________________
> Harp-L is sponsored by  SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
>  http://harp-l.org/mailman/listinfo/harp-l
>
>    



------------------------------

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Harp-L mailing  list
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End  of Harp-L Digest, Vol 59, Issue  110
***************************************




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