Re: [Harp-L] using compression



I was doing a session at Capitol Records Studio 1A. I was using some of my rig but there was too much popping in my mic. (this was a diatonic call)

They put me on a Neumann mic and ran the signal through a compressor that the engineer joked was older than him and me combined.

The result was a nice fat sound. Not Chicago style but nice and warm.

Sent from my iPhone

On Jul 25, 2008, at 11:56 AM, Garry Hodgson <harp@xxxxxxxxxxx> wrote:

i often hear (read) harp players here mention using compression
as part of their live sound, either using a dedicated pedal, an
effects box (digitech), or as a side effect of some other device.
so i thought i'd investigate.

when i use the compressor in audacity to postprocess music, the
available settings are threshold, ration, and attack time.  i more
or less understand how these work (attack time is a little fuzzy).

my digitech rp250 has Sustain, Tone/Attack, and Compressor Level.
the Tone/Attack controls Tone if using digitech compressor, or Attack
if emulating Boss CS-2.

so my questions are:

why do i want to use this?  what effect does it have on the sound,
specifically harp sound.  i understand compression in general.

how would you set those parameters for what type of effects?  would
you set things differently in different circumstances?

what effect, in harp context, does Attack have? Sustain?

any other advice on using this would be appreciated.

thanks

--
Optimism and pessimism don't exist for me.
I'm a blues man.  I am a prisoner of hope.
I'm going to die full of hope.
- Cornel West



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