As harp-l's self-appointed, skeptical old curmudgeon, I hear the
call of duty to bust another myth.
There is nothing about the acoustics of the harmonica that suggests
that the covers play any role in the generation of the sound. The
covers define the shape of the sound passage from the reeds to your
ear. They might conceivably affect the coupling of the sound to
the outside air as does the bell of a horn. They might have a
slight effect on loudness but not tone.
Because the human ear has a logarithmic response, small changes of
sound energy are imperceptible.
I predict that in a blind comparison of machine-blown diatonics,
listeners could not distinguish between groups of harps with covers
and no covers (much less covers having minor design differences) by
the sound alone. I suggest that any effort to achieve nuances of
tone (warm, bright, etc.) by means of cover design is wasted.
Vern
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