Ken,
We might hear from Mark Lavoie, a great Blues Harpist and I know he has
used
different combs on his MS-combs and gets quite a different array of
tonalities from each....Mark?
Ps...BTW, Mark is currently in a duo with the great Bluesman Bill Sims Jr.
and they play some terrific old time Blues. I've been using Mark's combs
both wood and titanium for years with great success. I was checkin out
their
new record on itunes today they sound Great!
Here's Mark's info:
www.deltagrooveproductions.com/music/artists/billsimmarlavoie/main.html
www.myspace.com/theharmonicaman
www.middlebury.net/lavoie
Best, Rob Paparozzi
On 7/10/08 7:19 PM, "Ken Deifik" <ken@xxxxxxxxxxxxxxxxxxx> wrote:
Steve Baker wrote:
the Blues Harp (like the Old Standby) was never anything else
but a standard Marine Band comb & reed plates fitted with closed
covers, which made the sound slightly less bright due to the
different shape and of course the closed sides.
Wow. This opens up something like a legitimate version of the materials
debate. Aside from the holes on the sides, is there anything else about
the shape of the covers that changes the sound of a diatonic harp?
As a guy who mainly plays acoustically, I'd LOVE to experiment with
various
shapes for the covers, if that's going to give me different colors of
sound.
Has anyone on Harp-l monkeyed around in that jungle?
Beyond shape, here goes an actual materials question: do different metals
or coatings on the covers change anything? I recall being knocked off my
feet by the sound of a tenor sax that had just been coated with an ounce
of
platinum.
K
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All the best,
Rob Paparozzi
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