Re: [Harp-L] good quote
I have some experience on this. I was playing the "Rib Fest" in Erie Pa.
with a band called "Jake's Blues". Jake trusted me pretty good to know how to
improvise. Matter of fact he wouldn't tell me the song we were going to do,
even at big gigs like that, he would just tell me the key. It was a game he
played with me. Stump the harp player, He He. Anyway, we were doing this gig and
it was going great, big crowd and the weather was great for playing outside.
Jake broke a string in the middle of a blues song in C. He showed me his
guitar and pointed back stage and went to change his string while the song was
going.We ended the song and I looked at the bass player and said, "play
something funky in A". Long story short, we played for about 5 minutes, just me, the
bass player, and the drummer. It was hard to keep coming up with licks for
that long, but the situation did come up for me. It was cool though, Jake came
back, did a lead in the jam, and we went on with the gig. It prolly looked
like it was meant to be there to the crowd.
Randy
BiscuitBoy Blues
In a message dated 7/4/2008 10:47:05 A.M. Eastern Daylight Time,
ken@xxxxxxxxxxxxxxxxxxx writes:
To put all this blather into an adage, Once you can reliably create
exciting 12 or 16 bar solos you've EARNED the right to try to play a second
verse. Once you can do it twice in a row, reliably, you can start learning
how to do a third verse. But if you think you'll ever earn the right to do
a fourth verse, do it at home, but not in front of audiences, the people
you're supposed to leave wanting more
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