Re: [Harp-L] Intonation



Robert has devoted his life to intonation and goes to extraordinary lengths to get a perfect classical sound. I also rather like the sound one can get struggling with an instrument - squeaks and pops and so on - although I would of course greatly prefer to have the choice at any given moment!!
Richard
On 3 Dec 2008, at 23:21, Robert Bonfiglio wrote:


I imagine if you took half the frets off the guitar there would be big intonation problems in solos! When I heard Toots the last time he had slowed down a lot, but the entire night there was not one note out of tune.

I think bad intonation distracts the listener from their train of thought on the solo. You have them captivated and all of a sudden you lose them because of a "cheezy" moment. I like to think of this emotional connection with one's audience like the surface of a very still lake and even the slightest pebble thrown in disturbs the surface. This does not mean the music stays calm; it can even be violent, but the connection is as smooth and undisturbed as the lake.

Harmonically yours,

Robert Bonfiglio

http://www.robertbonfiglio.com


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Richard Hammersley Grantshouse, Scottish Borders http://www.last.fm/music/Richard+Hammersley http://www.myspace.com/rhammersley http://www.myspace.com/magpiesittingdown







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