[Harp-L] the process of switching keys using Bach as an example
- To: d d d <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] the process of switching keys using Bach as an example
- From: Michael Rubin <rubinmichael@xxxxxxxxxxxxx>
- Date: Fri, 30 Nov 2007 17:56:39 -0800 (PST)
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Marc Molina writes:
Are the pros out there so fluid with positions that they can
easily jump from one position to the next?
I can and know many who can, at least thru 1st,2nd,3rd, 4th , 5th and 12th
Are you thinking/hearing in
intervals?
Sometimes I hear intervals, mostly I think scalar degress. I know what the 5th (or any) note of a scale will sound like in relation to the tonic.
Do you have every note on every key of harmonica memorized?
I definitely do not have every harp layout memorized. I have every position layout memorized and I have memorized all 12 of the major scales. If someone asks me to play a note by name I can use the knowledge of those two things and quickly find the note they are talking about.
Am I just ignoring the beauty of having harmonicas in different keys (e!
.g., wanna play it in A, pick up an A harmonica and play the first
position version above)? I realize this process is probably different for
every player, so I thought it might be instructive to hear how this
process works.
I love the different harps. Octavio Castro (who I recently became reaware of, I realized after seeing his website that I had studied about him previously) plays everything on one C harp all the time. I would not like that. Every harp has its own personality. Plus, every position has its own personality. I would not play anything other than the basic positions if I was doing a gig that suggested the more traditional harp sounds.
Michael Rubin
Michaelrubinharmonica.com
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