I have a bias toward the Seydel Circular Tuning. I currently play the
Blues Session
Circular Tuning diatonics, and have a complete set of all 12 keys. (I
haven't tried
the low tunings yet.) I love these harps, because there are NO missing
notes in the
diatonic scale for over two octaves, AND I can get 3-note (at least)
chords on EVERY
scale degree for over two octaves. Bending is limited to halftone draw
bends ONLY;
there are NO blow bends. Overblowing for full chromaticism is
supported, but I don't
use it (so far). The lower octave allows nice bends for the b3, b5, b7
blues notes.
I just got a Seydel Chromatic Deluxe specially designed at the factory
with Circular
Tuning. I wanted a chromatic with the EXACT same note and breathing
patterns as
my diatonics. It cost $136.00 (which included shipping to the USA).
Delivery time
from order placement to delivery was less than 3 weeks. The price for
the stock
Seydel Chromatic Deluxe is $89.95 at Coast to Coast Music (not
including shipping).
So, for the measly additional sum of $46.05, I got a custom designed
chromatic
harmonica that I LOVE! Please note that Seydel manufactures these
special designs;
they do NOT retune an existing harmonica. This is a very tight little
harp, and it
compares favorably (IMHO) to the ubiquitous Hohner 270. (Yeah, I do
have one of
them, but I don't like it very much; I prefer the Hohner 280 16-holer.)
I used A=442Hz as the reference pitch, because I wanted a somewhat
"brighter"
sound. When the slide is OUT, the tuning is IDENTICAL to the stock
Seydel Blues
Session with Circular Tuning for the Seydel labeled "G" harp. (That
corresponds to
"C" major.) When the slide is IN, the tuning is IDENTICAL to the stock
Blues Session
with Circular Tuning for the Seydel labeled "Ab" (G#) harp. (That
corresponds to
"C#/Db" major.) Because of the nature of Circular Tuning, the range of
notes is
actually greater than a standard 12-hole chromatic. My special design
starts on G3,
the G below middle C, and extends up through 3 full octaves of "C"
major. I wanted
to be able to ascend from the V back up to the lowest I; it's a nice
little run that's very
useful on the low end. C3 is the lowest starting point that Seydel
will consider. That
corresponds to the lowest note on a Hohner 280 (the 16-holer).
Because this special chromatic has EXACTLY the same breathing patterns
as my
diatonics. It makes switching between diatonics and chromatic drop
dead simple.
I was able to take the chromatic out of the nice box, and play
"Someone To Watch
Over Me" with no fumbling around. The notes I previously had to bend
in the bridge
were so easy to get with the slide in! No intonation differences
between unbent and
bent notes! No switching mental gears when changing from diatonic to
chromatic
and back again: just play the thing! It seems very intuitive to hit
the slide button
whenever an accidental is required.
It also means that I have all those nice chords available, which
cannot be played on a
standard chromatic. The only loss (not a big issue for ME) is that
octaves CANNOT be
played; because of the nature of Circular Tuning, the breath direction
switches from
one octave to another. It seems that most players compensate for the
lack of chords
on the standard chromatic by using octaves for a fuller sound. (Hey!
That's MY
observation/opinion on using octaves; you're certainly entitled to
your own.)
The biggest obstacle for most people is that the in/out breathing
patterns switch from
octave to octave with Circular Tuning. It took me about 4 months to
totally switch from
standard diatonics to the Circular Tuned diatonics, but I was NOT
practicing every day.
I could have switched over much sooner, if I had worked at it regularly.
Now my problem is trying to find the funds to buy more of these
special chromatics!
I'd love to have a complete set in all 12 keys eventually, but that
may take years, given
that I'm retired and the shekels for my harp addiction are severely
limited. I have to
thank Mrs. Santa Claus for an early Christmas present!
Just walking along (while playing harp) on another "road less traveled,"
Crazy ("bout Seydel harps) Bob
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