Re: [Harp-L] Jazz/diatonic/positions
- To: d d d <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Jazz/diatonic/positions
- From: Michael Rubin <rubinmichael@xxxxxxxxxxxxx>
- Date: Tue, 20 Nov 2007 07:53:12 -0800 (PST)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=sbcglobal.net; h=X-YMail-OSG:Received:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=eKJsaI2liNNiZX8H3hBp71ECX0LpxgDo8IZkjscNqrcpa4NZ3daZVNLBi4bl6qu/a/2oNlfE9C/l24uj/MUTVgli8id0URMYosQruyucCbQHF+t4liATc6BURcGpfdGosewk5eBsKNCzbQcAHc0kq/+hVC2plet3goXejowLCOs=;
- In-reply-to: <238521.5206.qm@web55008.mail.re4.yahoo.com>
Phil,
When you say thinking pitches, do you mean the sound or the name of the pitch? I think about all 3, but probably use the names of the pitches the least. In the beginning I probably focused on the scalar degrees. I would learn a cross harp lick in all 12 positions by transposing it using the degrees. AFter I got real comfortable with where the degrees are for a position I try and relax and play what my ear and muscle memory suggest, just like I assume most people do in cross harp.
Phil Eich <phil_side@xxxxxxxxx> wrote:
For you guys playing jazz on diatonics...are you
thinking the pitches of the different scales or the
scale degrees? (Is this where things like
10th/11th/etc. positions come in?)
____________________________________________________________________________________
Be a better pen pal.
Text or chat with friends inside Yahoo! Mail. See how. http://overview.mail.yahoo.com/
_______________________________________________
Harp-L is sponsored by SPAH, http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.