Re: [Harp-L] Re: Hear yourself giging
- To: Aongus MacCana <amaccana@xxxxxxxxxx>, Harp-L List <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Re: Hear yourself giging
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Thu, 8 Nov 2007 13:39:19 -0800 (PST)
- Cc:
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=nhwco2PZo7ZbBF3cB8RtCgtQ8WqF+Snc5uBTwXDNv+6Gv4hVNoCAzEMkZR1WWaqYUki4MUtSPm+iwPln4rjeHme5Sbz6rpyvHQW6p1wdi1fjgnuu4K9yZ1zYno2luAb+pW0H5P/Q3uc7fn12Fy9TFMhtUrQNh+ontTLs7IgwJXo=;
- In-reply-to: <KCEOKLNLPEMOHOCKBGGICEKKCEAA.amaccana@eircom.net>
I have occasionally been surprised that others could hear me playing
acoustically in sessions with instruments like trap drums, saxophone,
and electric guitar and bass. So not hearing yourself is no guarantee
that others won't; just make sure you're playing something decent.
That said, banjo and box may be loud but a harmonica player has this
big built-in amplifying device called the human body. The air column
that reaches down into your abdomen is like the body of an acoustic
guitar - it takes what has been called the "miserable chirping reed" (I
mean, try plucking a reed with your fingernail and seeing how loud that
is) and makes it much louder. Oral cavity and hands can further focus
and louden the sound by tuning to the resonance of the note being
played. Playing loud acoustically is not about heavy breathing. It's
about realizing that you have a very big hammer in your hands and that,
held correctly, it can deliver a strong blow with a very light tap
(which reminds me of a joke I heard from Kevin Burke, but I'll stay on
topic and within the bounds of decency).
I have a Paolo Soprani (or at least half of one - it has no treble
reeds but the bass side works). My XB-40s can take it on any day. And
they regularly are heard several rows away in the fiddle group I play
in, which varies in size all the way to orchestral proportions. So I'm
sure that a harmonica player can make him- or herself heard with some
work on resonance.
I do know that one member of this list, Steve Shaw, does regularly go
to Irish sessions with a bullet mic and an amp. I imagine, though, that
he's already well known at the sessions he goes to.
Winslow
--- Aongus MacCana <amaccana@xxxxxxxxxx> wrote:
> Mick Kinsella and Rick Epping at the Willie Clancy Summer School
> told us a
> little trick for hearing yourself play in a group situation. Put a
> finger in
> one ear. They also advised us against bringing a mic and amp to any
> Irish
> Trad music session. This would be considered the height of bad taste
> and
> could get one if not 'strung up' at least cold shouldered. It is
> tough for
> the harp player when the company includes heavy Banjo and Box players
> especially if the box happens to be a Paolo Soprani (famous for its
> ability
> to fill the hall sans amp!)
> But Hell! who said life was meant to be fair?
> The upside is that if you cannot hear yourself,the chances are that
> nobody
> else can either and you have less chance of causing offence.
> Beannachtaí
> Aongus Mac Cana
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.