The point to me is who gives a flyin' funnel cake who on a
discussion list will be remembered twenty years from now. The
important thing is making the music, period. If someone is
debating the relevance and level of creativity, etc., of this
person or that, it is as useful as the age-old angels on the head
of a pin colloquy. The play is the thing as the old barde said.
If one is caught up in worrying that the harp player is considered
a second class musical citizen, one is spending too much time
worrying about one's place in some abstract hierarchy and not
spending enough time enjoying playing. Let history decide who is
considered what. History is not always right, anyway. There will
always be the unsung. There will always be those innovating in
relative obscurity. Stop worrying about it and play, says I.
Ok. Fire away. I have lashed myself to the mast.
Rex "Rich" Tobago
Professional harmonica owner
On May 26, 2007, at 10:33 AM, B Boggs wrote:
With all the posts about creativity and eastern mysticism I am
intrigued. The traditions of the teacher and student in the east
exemplified a focus of diminishing the egos expression in
boastful, strident ways which are driven by fear and ignorance.
Bruce Lee had an enormous ego. He also understood it's
penalties.I am not comparing any one to Bruce Lee. He was a real
artist, in spite of his ego.
I wonder what players will be remembered for their music twenty
years from now.
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