Re: [Harp-L] Re: Amps
I toured with in the late 90's with a re-tubed 90's Fender Bassman RI
(the guitarist had an endorsement so I got it for a very nice low
price). I really enjoyed the sound I got with the Fender Bassman
RI. After a few tours doing that and plenty of gigs around town I
bought a Sonny Jr. 410. There is no comparison. The Sonny Jr. 410
wins hands down, night and day. The Sonny Jr. has monster tone and
much more useable power. The bottom end is like a freight train, the
response is amazing, the tone is three-dimensional and rich. Then
there's the build. I cannot imagine it being any more solid. It is
built to last seemingly forever. The electronic build looks like
art. The speakers are fantastic. The lacquer job is absolutely
beautiful. It is a golden honey color that is once again, art - and
it's protective. The thing looks majestic. Ok, sorry to go over the
top there, but that's the way I feel about it. I am damn proud just
to look at it. And whenever I hit that first note before the
downbeat, I am proud as hell to play through it.
When I bought the Sonny Jr. with my credit card, I fretted over
spending so much money. Once I got it out of the box my jitters
ended. I have not had one moment of regret over my purchase. I get
lots of positive comments about my sound - much more now than with
the Fender RI. I play in two different groups where the volume level
I have to compete with is extremely high. The Sonny Jr. wins hands
down there as well.
I have had occasion to speak to Sonny about the amp, tube combos,
etc., and he is there for those he sells his amps to. He's a phone
call or e-mail away. I even sent a track and got some constructive
criticism which I put to use which has definitely served me well.
I am not the world's greatest harp player, that's for sure. But I
have worked all over the place playing the harp, and having the SJR
has removed the worry from the amp aspect of my setup. It is
inspirational, and will keep pace with my improvements, i.e., it will
never be outgrown. The only bummer about the whole thing is that now
Sonny's got the Cruncher going, and until I can afford one, I will
want it. As soon as I can afford it, I intend to get it.
Vince Meghrouni
Hi, I have to jump in on the reissue fender bassman. I modified with
speakers and tubes at least 30 of them before building the 410, and
they are NOT
capacitors and resistors in the circuit, rather a printed circuit
board. They
use bright Jensen P!0R speakers, and in the UK they probably cost
about $1400.
Then you talk about swapping speakers, tubes, etc., that may bring
it to
$1800. And then, all you have is a still a Fender Reissue. My amps
are completely
set up to blow and go, and have several options any player can use
to dial
themselves in, plus customer support from a professional harp
player concerning
every aspect such as mics, mic'ing the amp, studio, any live
situation, I
supply the extra tubes, spare rectifier and fuse, full manual,
patch cable for
bridging, and padded Tuki Cover. You don't have to order anything
separately.
The plus side of buying any of my amps is that although expensive
due to
extremely high build costs, they retain currently 75 - 100 % of
their retail
value. And when I pass on, these will be worth the same as original
Fender
Bassmans. Plus my new amp my just surpass the 410 in tone and
volume, I am still
morphing it. So the 410 will be a limited edition, I have 5 left,
which will
also make a valuable piece in the future. Whether a player is a
beginner or
pro, it is an investment for life, and figured over your lifetime,
about 30
cents a day. I just needed to run that by, as many have never
played my amp
personally so commenting on it is not fair if you have not. A pro
like Dave
Barrett, who's reissue I modified for him, will sound great
through anything, just
like Wilson, Hummel or anyone else at that level. I do not want to
butt
heads with HarpL members, I have moved on spiritually and am doing
Chakra work
and healing as we speak. I still need to run a business and have
put my heart
and blood into every project for the past 13 years. I started the
harp player
making amps for other harp players, and 13 years later all my amps
are still
working perfectly. No one else can make that claim. Thank you all for
listening. SJ
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