[Harp-L] Re: Harp-L Digest, Vol 41, Issue 54
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- Subject: [Harp-L] Re: Harp-L Digest, Vol 41, Issue 54
- From: "Rebecca Davis Winters" <wordworkshop@xxxxxxxxx>
- Date: Fri, 19 Jan 2007 15:18:47 -0700
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Date: Fri, 19 Jan 2007 11:40:42 -0800 (PST)
From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
Subject: Re: [Harp-L] Any fans of Canned Heat's "Blind Owl" Wilson?
There has been considerable discussion onlist in the past on the
retuning used for On the Road Again, with the consensus that 6 draw was
raised a semitone.
Have there been other instances of retuning on recordings by Al Wilson?
My conclusion is the same regarding the #6 draw reed used for "On the Road
Again".
Yes, there are a handful of other recordings with similarly retuned
harmonicas utilized by Wilson. I will endeavor to compile a list of the
items I'm aware of. If recollection serves me, "An Owl Song" might also
involve a retuned harmonica, and I'm pretty sure there is also one somewhere
on the "Hooker & Heat" album.
Did any of Wilson's contemporaries, or predecessors, retune their
harmonicas? I'm not saying that he was the first to do it by any means, but
I think at that time, it was quite uncommon. To my understanding, harmonica
reed filing and retuning has been a fairly recent (last couple of decades)
phenomenon, and that Wilson was quite unusual with his retuned instruments.
However, I have not made in-depth studies of other players and therefore am
not entirely certain of this.
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