[Harp-L] Style, The Millers, Popper, Entertainment, Ramblings
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Style, The Millers, Popper, Entertainment, Ramblings
- From: Will Vogtman <will_vogtman@xxxxxxxxx>
- Date: Sat, 15 Jul 2006 00:02:55 -0700 (PDT)
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Greetings.
I am currently re-examining what and how I play. Some of my most technical skills are entertaining only to me and a few other harp geeks. Some of my most automatic skills cause the audience (and sometimes other band members) to sit up and take notice--applaud, yell, etc. So, who do I please first? I am currently on a quest to create a balanced, musical response to this question.
As for John Popper, I really don't want to start a thread on him again. He was/is bashed on this list to no end. His influence on Mr. Miller is quite obvious.
Can Mr. Miller play in other styles? Does he TB and/or OB?
The answers to these questions are not relevant in this situation. On "America's Got Talent," he has one job--create a performance that SOUNDS impressive and memorable to the general public. In this task, he has made a wise choice of style--be it accidental or intentional.
It comes down to the audience. If the audience is me when I'm playing, the difficulty level goes up and the complexity of the melody goes down. If the audience is a group of harp players, I am more conscious of melody, but I do try to throw in a few harp geek "wows." If I'm playing for the general public, melody and entertainment value are foremost on my mind.
It doesn't always work that way, but I try to think this way.
I hope to be good enough one day to seamlessly merge the three (a la Ricci).
Bottom line . . . .
Entertainment value and musical complexity/validity do not always correlate. The good musicians can exist in either realm. Great musicians can co-exist in both realms. Neither realm is more important than the other.
Will
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