Subject: [Harp-L] RE: bending using tongue-block (AKA shut up already, Dennis!)
Ludo posts my comments and directs these specific answers to me in his
Dennis/me/Glenn/Sam/John response:
"Elizabeth:
<< I can't help but find it curious why you continually question Dennis
about his ability to detect whether a player is or is not TB'ing?
L:
I don't question his ability at all.
The detection part had to do with bending holes 1-3 solely, a point where
Dennis has a different experience than mine, and I might add, it is about the
only detail of the TB vs pucker debates that hasn't been discussed to death (oh
no, what am I doing.... ;-))
....Actually, Ludo...that question was asked and answered. He explained it
was in the "ear"... His direct quote was, "Well, as most TB players will tell
you, once you begin TB'ing and really use it a lot, your ears get more tuned
into the sounds & nuances you get from the TB technique. I can hear that
with these players...little
things like tongue-lifts, or pull-offs (where the player will TB a note &
slightly pull off his tongue so you hear a chord)...and other similar nuances
involving tongueing techniques."........
" One develops an ear sensitive to TB techniques, the more you do it".
...And it referred back to the lower notes of the harp....
Ludo: Another part has to do with the fact that he is one of the very few
on this planet that plays overblows with TB; not something you'd ask your
every day blues player.
...Yes I fully understand that....which brings me to my next point which I
believe you've overlooked ...(when I mentioned "discussion" as compared to
wanting to be taught on the list)...in that if I decide I want to now learn
TB'ing and OB'ing I will sign up to be taught (and pay for the lessons of course)
from someone who earns their living providing this information. Dennis is
one such teacher. He does have on-line classes...were you aware of that? I'm
becoming intrigued by that aspect of it as well since I've had no luck
finding someone locally.
E:
<< In addition he's a highly respected teacher......<<
L:
Hence the questions!
I don't think I sounded disrespectfull at any point, did I?
....that was not at all my implication. But since he is so respected I
wonder why you would not be more inclined to accept his word for what he (with
his highly sensitive ear and training in this field) hears ....compared to your
own admittedly lesser expertise in knowing which of the old masters TB'd or
not?
E:
<< I don't find discussions of it here have or would help me learn the
technique....
L:
Our mileage varies :-)
Some people can be very accurate in describing certain techniques (that's a
reply to Sam Blancato at the same time).
.....Yes I know ...for some techniques....and I've learned a lot from this
list. Bending, for instance. Friends from here took the time to help me
figure it out. I followed that up at the teach-ins at SPAH. I think our
"mileage" could be somewhat similar..I'm a quick study. I'm just much newer to this
field than are you, but I am catching up. I suppose my thoughts are that
when it gets into complicated issues I don't expect teachers to divulge all of
their teaching techniques in an open forum like this....when I can (and
should) sit down with them and learn hands-on.
E:
<< As you've admitted, you don't put in the time necessary to practice...
L:
Untrue.
I admitted not practising TB-OB on a regular basis; I do practise about six
days a week for at least an hour per day.
.....Really? I practice more than that. I get into the "zone" and 2 - 3
hours have flown by before I've quite realized it. And of course it still
isn't nearly enough to nail the kind of techniques we're talking about here.
I've heard a student of Dennis' describe his practice regimen as laid out after
his lessons and it was astonishing to me just how good he was and how far
he'd come in a relatively brief period of time. The quality of the practice
given by a good teacher is as important as the length of time put in. But
after reading Robert Bonfiglio's descriptions of the vast number of hours he
spent perfecting....I've realized I will never have the sort of dedication the
"real" musicians have. Which brings me to......
E:
<<and if one were to pay any attention at all to those who are the real
musicians here...
L:
Of which I consider myself one!
.....well, aren't we all? But I'm talking about those who are
Professionals out in the world earning their respective livings playing/teaching
harmonica.
E:
<< I'm not the one questioning Dennis' "ear".
L:
Neither am I; I hope that's cleared.
....actually it wasn't clear. It sounded as though that was the one thing
you did keep questioning in this snippet from your last post to him: Ludo:"
I must confess though, that I don't recall hearing too much evidence for your
case in holes 1, 2 and even 3. The last couple of years I hardly play a
bluesrecord anymore, so I might have to refreshen my listening? If you now of
any examples from the top of your head, please pass them on."
....it seemed to me that despite Jim McBride saying that he could hear just
what Dennis had already explained (and Jim by no means considers himself a
professional)...and Sam explaining that it is hard to be precise about
embouchure and techniques on the list.... you still wanted Dennis to provide you with
"proof" of his statements.
E:
please do not let his relative youth fool you....he is an old, wise soul in
a young body.
L:
Hey, I'm only 48, that's still young in my book :-)
There are plenty of talented younger people I highly respect!
Dennis included.
......that's good. And rightly so. He's earned it.
E:
<<Just for the heck of it....if I do manage to see James Cotton in concert
on March 10 << I'll ask him the
question and post his response.
L:
Great!
Please be sure to emphasize we're talking about bending holes 1, 2 and 3
with TB; the rest of the harp is very obvious.
BTW, Elizabeth, the added bit in the header "AKA shut up already, Dennis!"
was added by Dennis - tongue in cheek I hope I can presume.
...BTW Ludo, I do pay attention to who writes what and yes, I'm quite aware
of Dennis adding that to the heading in his response to you.
You did throw in another "extra" comment to me about mileage varying.
You're right...as does the quality of one's "ear".
Elizabeth
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