Re: [Harp-L] RE: what makes a mic prone to feedback?
- To: Greg Heumann <greg@xxxxxxxxxxx>, harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] RE: what makes a mic prone to feedback?
- From: Conrad Gleich <radconradlleyire@xxxxxxxxx>
- Date: Sun, 8 Jan 2006 04:46:36 -0800 (PST)
- Cc:
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- In-reply-to: <610A114F-1315-4C58-A5BE-62A0889B757A@heumann.com>
c b low
--- Greg Heumann <greg@xxxxxxxxxxx> wrote:
> In my experience, I believe there are only a few
> factors. One is
> sensitivity of the mic - the mic that puts out more
> signal than
> another at a low level will feedback more. Another
> is resonance -
> some mics live in housings where the back side
> creates a resonant
> chamber. I found this out when the screw fell out of
> a little hole on
> the back side of my 520D - and I always thought it
> was sealed well
> enough that the back side didn't have much effect -
> but with that
> hole opened it was definitely worse than with it
> sealed, although
> there is another tiny hole that doesn't seem to have
> much effect.
> Finally, phase makes a difference. By phase I mean
> whether the amp's
> speaker moves out when the mic's diaphragm moves in,
> or vice versa. I
> installed a phase-switch switch in one of my amps
> (it reverse the
> polarity at the speaker) - and I was surprised at
> the difference in
> feedback. Either position will feed back, but at
> different
> frequencies and at different levels. If you ever
> play behind your amp
> and find it feeds back less, consider switching the
> phase.
>
> But the most important factor is simply the output
> level - some mics
> are much hotter than others. Of course if you do NOT
> adjust volume at
> the amp, the hotter mic will generate a louder
> sound, perhaps enough
> to create feedback. Many folks blame this on the mic
> - but if you
> adjust the volume so that you got the same loudness
> for two different
> mics, you'll probably find they aren't very
> different.
> _______________________________________________
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>
thanks, very edifiying for me. c-rad
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