Re: [Harp-L] passive agressive sound guys

["Rick Dempster" <rick.dempster@xxxxxxxxxxx>]

My sentiments exactly, Iceman.
RD

>>> <icemanle@xxxxxxx> 14/12/2006 0:47:05 >>>
Perhaps since the disco days, when that 120 bpm sound was pumped into
the room via monster speakers to "make" people dance, some sort of
"inyourface" norm was evolved - this was how music was supposed to be
heard....(and felt).
 
This bled over into live music venues as well as the collective
consciousness of sound men.
 
What better way to MAKE the audience feel the music than to start with
mic'ing a bass drum and pushing up the db's. Of course, everything else
had to rise to the sonic challenge to be heard over the bass drum.
Result - mic EVERYTHING and push it out.
 
Instead of the acoustic sound of the instruments and stage players
working off of each other in real time/sound, everything is
electronically boosted and those "separate monitor mixes" for each band
member morph the sound into FRANKENSTEIN Unchained. It is unnatural, to
say the least - especially for acoustic music and blues. When did Muddy
Waters ever have his drummers bass drum mic'd and pushed through the PA?

 
This is one reason that I champion the BOSE PAS system philosophy, as
it puts the control of the sound back in the hands of the musicians and
eliminates monitors. Sound men are not happy, as they lose a bit of
CONTROL, but the results have been amazing when they get with the
program.
 
The Iceman
 
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