Re: [Harp-L] How we learned diatonic harmonica in the "olden days"
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] How we learned diatonic harmonica in the "olden days"
- From: John Kally <jkally3@xxxxxxx>
- Date: Mon, 24 Apr 2006 21:08:22 -0700
Good question. I'm definitely in with the "old guys" (at 51) on this
one. Basically, there was only one real "blues" book out there, the
Glover one, not many teachers and so you either figured it out
yourself, faked it or tracked down somebody better than you and
pestered them until they gave you some help or told you to beat it.
. I too had a copy of Tony Glover's book, didn't do much for me
except point me in the direction of the players mentioned in it
(incidentally, see Pat Missin's site for details on the errors in
there). So, at 15 I started taking lessons at McCabes in Santa
Monica, a small group class, the teacher being Rick Epping, who is
best known for his years with Hohner including the XB40 design. A
real stroke of luck as he was already a good teacher and player back
then (1972), and gave me a new handwritten, tabbed-out tune each
week and every one was a different style, fiddle tunes then then
Sonny Terry, then Paul Butterfield, etc. Trouble was, when those
lessons were done I didn't know what to work on next. A year or two
later I decided I needed to learn more stuff, and so I asked the harp
player in a local blues band for lessons. Happened to be Gary Smith,
Bay Area legend. Every lesson was just off the top of his head,
nothing written down, but he spent time listening to me and pointing
out my mistakes as well as giving me clues about which records to
listen to. Years later, when I heard about "overblows" I buttonholed
Howard Levy after a Flectones gig and he kindly sat down with me for
about an hour for an impromptu lesson. And that's basically been it
for me except for the very occasional "events" I've attended like
Barrett's Masterclass and the Minneapolis Summit. Every different
band I've played with (folk groups, Irish bands, blues bands) has
forced me to learn new material, otherwise I just practice in fits
and starts. I should be better by now!
There is so much information out there now, it's no wonder there are
so many good players all over the place. I'm sure I would have
gotten a lot better a lot faster if I hadn't had to spend so much
time just figuring out keys and positions mostly on my own. And
Harp-l is right at the top of the list for finding out stuff that
used to take ages to figure out . Incidentally, among the many
materials out there I'd highly recommend Harp-L's own Winslow
Xerxa's HIP publications and CDs. Even though I'm still waiting on
the fabled Issue #6, there is a wealth of good information to be
gotten there.
Just for fun, I did leave up my "amp test" mp3 that I put up a few
weeks back to demo the no-name little amp I found a while back. The
playing was just messing around, but you might want to listen just so
you can say, "At least I'm better than THAT!"
http://www.members.cox.net/lkally/amptest.mp3
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