Re: [Harp-L] How we learned diatonic harmonica in the "olden days"



Good question. I'm definitely in with the "old guys" (at 51) on this one. Basically, there was only one real "blues" book out there, the Glover one, not many teachers and so you either figured it out yourself, faked it or tracked down somebody better than you and pestered them until they gave you some help or told you to beat it.
. I too had a copy of Tony Glover's book, didn't do much for me except point me in the direction of the players mentioned in it (incidentally, see Pat Missin's site for details on the errors in there). So, at 15 I started taking lessons at McCabes in Santa Monica, a small group class, the teacher being Rick Epping, who is best known for his years with Hohner including the XB40 design. A real stroke of luck as he was already a good teacher and player back then (1972), and gave me a new handwritten, tabbed-out tune each week and every one was a different style, fiddle tunes then then Sonny Terry, then Paul Butterfield, etc. Trouble was, when those lessons were done I didn't know what to work on next. A year or two later I decided I needed to learn more stuff, and so I asked the harp player in a local blues band for lessons. Happened to be Gary Smith, Bay Area legend. Every lesson was just off the top of his head, nothing written down, but he spent time listening to me and pointing out my mistakes as well as giving me clues about which records to listen to. Years later, when I heard about "overblows" I buttonholed Howard Levy after a Flectones gig and he kindly sat down with me for about an hour for an impromptu lesson. And that's basically been it for me except for the very occasional "events" I've attended like Barrett's Masterclass and the Minneapolis Summit. Every different band I've played with (folk groups, Irish bands, blues bands) has forced me to learn new material, otherwise I just practice in fits and starts. I should be better by now!
There is so much information out there now, it's no wonder there are so many good players all over the place. I'm sure I would have gotten a lot better a lot faster if I hadn't had to spend so much time just figuring out keys and positions mostly on my own. And Harp-l is right at the top of the list for finding out stuff that used to take ages to figure out . Incidentally, among the many materials out there I'd highly recommend Harp-L's own Winslow Xerxa's HIP publications and CDs. Even though I'm still waiting on the fabled Issue #6, there is a wealth of good information to be gotten there.
Just for fun, I did leave up my "amp test" mp3 that I put up a few weeks back to demo the no-name little amp I found a while back. The playing was just messing around, but you might want to listen just so you can say, "At least I'm better than THAT!"


http://www.members.cox.net/lkally/amptest.mp3







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