[Harp-L] Re: Harp-L Digest, Vol 18, Issue 7



Mark,

If no one takes you up on your offer, I am in the market for an HC for cash?

You aren't going to Gindick's Atlanta jam camp are you?

Let me know?

Thanks

Gregg Stone
Dallas, TX
----- Original Message ----- 
From: <harp-l-request@xxxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Thursday, February 03, 2005 3:08 PM
Subject: Harp-L Digest, Vol 18, Issue 7


> Send Harp-L mailing list submissions to
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> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Harp-L digest..."
>
>
> Today's Topics:
>
>    1. Re: challenge to custom amp makers (G)
>    2. Amp review by Carlos del Junco (G)
>    3. howlin' wolf bit torrent (Garry Hodgson)
>    4. need some amp advice (Garry Hodgson)
>    5. Re: Harp Comander (Mark Wilson)
>    6. Fw: [Harp-L] Amp review by Carlos del Junco (Pierre)
>    7. RE: EV RE10 (dfwhoot)
>    8. EV re10 mic question (BRIAN BERTHA)
>    9. Re: EV RE10 (larryboy@xxxxxxxxxxxxxxxx)
>   10. RE: Fw: [Harp-L] Amp review by Carlos del Junco (Michael Peloquin)
>   11. RE: EV RE10 (adams, john)
>   12. RE: EV RE10 (Jordan, Jim)
>   13. Re: Fw: [Harp-L] Amp review by Carlos del Junco (IcemanLE@xxxxxxx)
>   14. maybe this will help (Leon & Gail Albin)
>   15. Norman's Harmonica Centre (Steve Shaw)
>   16. Re:Embossing  (Snaruhn@xxxxxxx)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 03 Feb 2005 19:46:05 +1300
> From: G <gigs@xxxxxxxxxxxxxxx>
> Subject: Re: [Harp-L] challenge to custom amp makers
> To: harp-l@xxxxxxxxxx
> Message-ID: <3.0.1.32.20050203194605.007206fc@xxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=us-ascii
>
> Regards for lit amp controls,
>   you could try using phosphorous paint on the dials.
>
> -- G.
>
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 03 Feb 2005 21:10:58 +1300
> From: G <gigs@xxxxxxxxxxxxxxx>
> Subject: [Harp-L] Amp review by Carlos del Junco
> To: harp-l@xxxxxxxxxx
> Message-ID: <3.0.1.32.20050203211058.0071ec3c@xxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=us-ascii
>
> I was searching the web on Electrovoice mics out of curiousity, and
> discovered Carlos' postive review on Edward Amplification's "The Ed 01",
> written exactly a year ago.
>
http://www.harmony-central.com/Guitar/Data/Edward_Amplification/The_Ed-01.html
>
> Thought some might be interested in what he has to say.
> -- G.
>
>
>
> ------------------------------
>
> Message: 3
> Date: Thu, 3 Feb 2005 08:51:17 -0500
> From: Garry Hodgson <garry@xxxxxxxxxxxx>
> Subject: [Harp-L] howlin' wolf bit torrent
> To: Harp-L@xxxxxxxxxx
> Message-ID: <2005020308511107438677@xxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> for those of you bit torrent aware, there's a 3 disc set of
> outtakes, demos, and alternate takes of howlin' wolf at
> http://www.easytree.org/torrents-details.php?id=25884
>
>
> ----
> Garry Hodgson, Technical Consultant, AT&T Labs
>
> Be happy for this moment.
> This moment is your life.
>
>
>
> ------------------------------
>
> Message: 4
> Date: Thu, 3 Feb 2005 11:56:28 -0500
> From: Garry Hodgson <garry@xxxxxxxxxxxx>
> Subject: [Harp-L] need some amp advice
> To: Harp-L@xxxxxxxxxx
> Message-ID: <2005020311561107449788@xxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
>
> ok, i need some amp advice.  here's the situation:
>
> i got an alesis wildfire 30 for christmas.  nice amp,
> chock full of effects that are fun to play with, and
> i'm gradually figuring out how to make it sound like
> i want.  the problem is, it's 30 watts, and when i play
> at the local blues jam you basically can't hear anything
> i play (admittedly, this might be a blessing.  but let's
> not go there).  i'm using a hohner blues blaster, and with
> the mic volume and amp volume all the way up, when the band
> is loud, as it's been the last few times, i'm nonexistent.
> (on quieter nights it's ok, but needs to be turned most of
> the way up).
>
> i paid $150, and the next step up the alesis line is a 60 watt
> amp with similar features for $199.  i asked about trading up,
> and i can do that, but would pay shipping (~$17) and an as yet
> unspecified restocking fee.
>
> now, i don't actually know if the 60 watt amp will be sufficient,
> or whether i'll end up in the same bind.  that gives me pause.
> but i do like the effects, and my guitar slinging daughter loves
> the thing, so there's some incentive not to lose that capability.
> and i'm new enough to all of this that i don't know what i want
> "my sound" to sound like, so i like the flexibility to tailor it.
>
> my dear wife, before i heard back on whether i could return the 30
> or not, suggested i should just buy the 60.  she wants me to be
> happy, and knows i'm very frustrated right now.  bless her heart.
> i figure i've got about $200 to play with.
>
> so it seems like i've got a few options:
>
> suck it up and mic my existing amp through the PA.  i'll likely
> try this in the short run anyway.  this seems cumbersome, and i
> had only meager results last time i tried it.
>
> buy the 60, hope it's loud enough.  either return the 30 and
> take the fiscal hit, or give it to my daughter.
>
> buy the digitech rp300 that's been talked about here, play
> through the PA, keep the 30 for practice.
>
> i'm leaning toward the rp300 option.  i like its flexibility
> and the idea of traveling light, and it's gotten a lot of good
> press around here.  and this lets me use either my own amp or
> the PA or even someone else's amp, as the situation permits.
>
> so, that's my situation.  i need to decide something soon, and
> would greatly appreciate any advice y'all might have.
>
> thanks
>
> ----
> Garry Hodgson, Technical Consultant, AT&T Labs
>
> Be happy for this moment.
> This moment is your life.
>
>
>
> ------------------------------
>
> Message: 5
> Date: Thu, 3 Feb 2005 09:13:58 -0800
> From: "Mark Wilson" <markwilson53@xxxxxxx>
> Subject: Re: [Harp-L] Harp Comander
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <001001c50a13$bfb14790$6401a8c0@markrdk0fk4qu1>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> reply-type=original
>
> I've got a Harp Commander which does sound good, but I don't use it much.
> It's usually easier for me to just plug in my tube amp as opposed to
messing
> around with the pa since most of my live playing is done at jams where I'm
> only up for a few songs.  I'd be open to trading the Commander for a small
> to medium sized (pre 1980) tube amp if anyones interested.  I'm also in
the
> market to buy another tube amp, Silvertone, Kalamazoo, Kay, Harmony,
> Premier, Gibson..etc.. in working or non working condition.
>
> Thanks
> Mark
>
>
>
>
> ------------------------------
>
> Message: 6
> Date: Thu, 03 Feb 2005 13:10:47 -0500
> From: Pierre <plavio@xxxxxxxxxxxx>
> Subject: Fw: [Harp-L] Amp review by Carlos del Junco
> To: harp-l@xxxxxxxxxx
> Message-ID: <002601c50a1b$afb88f30$153b8342@BIGDOG>
> Content-Type: text/plain; format=flowed; charset=iso-8859-1;
> reply-type=response
>
> Interesting review, Carlos has a really nice sound and I have been
wondering
> how he gets it.
>
> I am particularly intrigued how he gets a Miles Davis Harmon mute sound on
> some of his tunes. Perhaps this is part of the answer.
>
> Anybody know how to get a good Harmon mute sound? Also, is it the mic, the
> amp or the player?
>
> Pierre.
>
>
> ----- Original Message ----- 
> From: "Pierre" <slavio@xxxxxxxxxxxx>
> To: "G" <gigs@xxxxxxxxxxxxxxx>
> Sent: Thursday, February 03, 2005 1:08 PM
> Subject: Re: [Harp-L] Amp review by Carlos del Junco
>
>
> >
> > Interesting review, Carlos has a really nice sound and I have been
> > wondering how he gets it.
> >
> > I am particularly intrigued how he gets a Miles Davis Harmon mute sound
on
> > some of his tunes. Perhaps this is part of the answer.
> >
> > Anybody know how to get a good Harmon mute sound? Also, is it the mic,
the
> > amp or the player?
> >
> > Pierre.
> >
> > ----- Original Message ----- 
> > From: "G" <gigs@xxxxxxxxxxxxxxx>
> > To: <harp-l@xxxxxxxxxx>
> > Sent: Thursday, February 03, 2005 3:10 AM
> > Subject: [Harp-L] Amp review by Carlos del Junco
> >
> >
> >>I was searching the web on Electrovoice mics out of curiousity, and
> >> discovered Carlos' postive review on Edward Amplification's "The Ed
01",
> >> written exactly a year ago.
> >>
http://www.harmony-central.com/Guitar/Data/Edward_Amplification/The_Ed-01.html
> >>
> >> Thought some might be interested in what he has to say.
> >> -- G.
> >>
> >> _______________________________________________
> >> Harp-L is sponsored by SPAH, http://www.spah.org
> >> Harp-L@xxxxxxxxxx
> >> http://harp-l.org/mailman/listinfo/harp-l
> >>
> >
>
>
>
> ------------------------------
>
> Message: 7
> Date: Thu, 3 Feb 2005 13:13:42 -0600
> From: "dfwhoot" <dfwhoot@xxxxxxxxx>
> Subject: RE: [Harp-L] EV RE10
> To: "Jordan, Jim" <JJordan@xxxxxxxxxxxxxx>, <harp-l@xxxxxxxxxx>
> Message-ID: <GNEDINBBEHNGFEHMLCHIGEAPECAA.dfwhoot@xxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> What type of end piece does the RE 10 require ? Jerl
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx]On
> Behalf Of Jordan, Jim
> Sent: Wednesday, February 02, 2005 12:47 PM
> To: harp-l@xxxxxxxxxx
> Subject: [Harp-L] EV RE10
>
>
> Since both Carlos Del Junco and Jason Ricci and Chris Michalek have been
> using the RE10, I couldn't resist buying one.  I must say, it has a nice
> compressed tone for a vocal style mic.  It was also smaller than I
> imagined.
> Is the RE10 the new harp mic favorite?
> Sorry if I excluded any pros out there that have been using this mic.
> Jim
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
>
>
> ------------------------------
>
> Message: 8
> Date: Thu, 03 Feb 2005 12:27:03 -0700
> From: "BRIAN BERTHA" <jaguire@xxxxxxxxxxx>
> Subject: [Harp-L] EV re10 mic question
> To: harp-l@xxxxxxxxxx
> Message-ID: <web-2247364@xxxxxxxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="ISO-8859-1"; format="flowed"
>
> don't you need to use an impedance converter when using the EV10 mic into
an
> amp?  what with the mic being a low-z mic?  i have an ev10 but i don't use
it
> much since it is such a skinny little stick, quite unlike a voluptuous
bullet
> mic.
>
> cletus white
>
>
> ------------------------------
>
> Message: 9
> Date: Thu,  3 Feb 2005 11:32:57 -0800
> From: larryboy@xxxxxxxxxxxxxxxx
> Subject: [Harp-L] Re: EV RE10
> To: harp-l@xxxxxxxxxx
> Message-ID: <1107459177.42027c69be394@xxxxxxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Surfing around looking for info on the EV RE10 I came across this site.
>
> http://www.musiciansbuy.com/EV_Power_Amps.html
>
> About half way down it says:
>
> "Pope John Paul II uses an EV RE10 microphone"
>
> That's good enough for me!
>
> Best Regards to All,
>
> Larry Boy Pratt
> www.parkhousejam.com
>
>
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
>
>
>
> ------------------------------
>
> Message: 10
> Date: Thu, 03 Feb 2005 11:32:19 -0800
> From: "Michael Peloquin" <peloquinharp@xxxxxxxxxxx>
> Subject: RE: Fw: [Harp-L] Amp review by Carlos del Junco
> To: harp-l@xxxxxxxxxx
> Message-ID: <BAY1-F42A327E2424B016E9E5054D17F0@xxxxxxx>
> Content-Type: text/plain; format=flowed
>
> I would bet that the Harmon sound comes from playing into a cup or glass
ala
> Howard Levy
> Is Carlos STILL using that Edwards amp exclusively? There are no sound
> samples of Carlos on the Edwards website anymore.
>
> Michael Peloquin
> http://tinyurl.com/5tpjg
> http://www.harpsax.com
>
>
>
>
>
> >From: Pierre <plavio@xxxxxxxxxxxx>
> >To: harp-l@xxxxxxxxxx
> >Subject: Fw: [Harp-L] Amp review by Carlos del Junco
> >Date: Thu, 03 Feb 2005 13:10:47 -0500
> >
> >Interesting review, Carlos has a really nice sound and I have been
> >wondering how he gets it.
> >
> >I am particularly intrigued how he gets a Miles Davis Harmon mute sound
on
> >some of his tunes. Perhaps this is part of the answer.
> >
> >Anybody know how to get a good Harmon mute sound? Also, is it the mic,
the
> >amp or the player?
> >
> >Pierre.
> >
> >
> >----- Original Message ----- From: "Pierre" <slavio@xxxxxxxxxxxx>
> >To: "G" <gigs@xxxxxxxxxxxxxxx>
> >Sent: Thursday, February 03, 2005 1:08 PM
> >Subject: Re: [Harp-L] Amp review by Carlos del Junco
> >
> >
> >>
> >>Interesting review, Carlos has a really nice sound and I have been
> >>wondering how he gets it.
> >>
> >>I am particularly intrigued how he gets a Miles Davis Harmon mute sound
on
> >>some of his tunes. Perhaps this is part of the answer.
> >>
> >>Anybody know how to get a good Harmon mute sound? Also, is it the mic,
the
> >>amp or the player?
> >>
> >>Pierre.
> >>
> >>----- Original Message ----- From: "G" <gigs@xxxxxxxxxxxxxxx>
> >>To: <harp-l@xxxxxxxxxx>
> >>Sent: Thursday, February 03, 2005 3:10 AM
> >>Subject: [Harp-L] Amp review by Carlos del Junco
> >>
> >>
> >>>I was searching the web on Electrovoice mics out of curiousity, and
> >>>discovered Carlos' postive review on Edward Amplification's "The Ed
01",
> >>>written exactly a year ago.
>
>>>http://www.harmony-central.com/Guitar/Data/Edward_Amplification/The_Ed-01
.html
> >>>
> >>>Thought some might be interested in what he has to say.
> >>>-- G.
> >>>
> >>>_______________________________________________
> >>>Harp-L is sponsored by SPAH, http://www.spah.org
> >>>Harp-L@xxxxxxxxxx
> >>>http://harp-l.org/mailman/listinfo/harp-l
> >>>
> >>
> >
> >_______________________________________________
> >Harp-L is sponsored by SPAH, http://www.spah.org
> >Harp-L@xxxxxxxxxx
> >http://harp-l.org/mailman/listinfo/harp-l
>
>
>
>
> ------------------------------
>
> Message: 11
> Date: Thu, 3 Feb 2005 14:34:53 -0500
> From: "adams, john" <adams_john@xxxxxxx>
> Subject: RE: [Harp-L] EV RE10
> To: dfwhoot <dfwhoot@xxxxxxxxx>, "Jordan, Jim"
> <JJordan@xxxxxxxxxxxxxx>, harp-l@xxxxxxxxxx
> Message-ID:
> <FA2F59D0E55B4B4892EA076FF8704F5509234FF0@xxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain
>
> It uses a standard XLR mic cord.
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx] On
Behalf
> Of dfwhoot
> Sent: Thursday, February 03, 2005 2:14 PM
> To: Jordan, Jim; harp-l@xxxxxxxxxx
> Subject: RE: [Harp-L] EV RE10
>
> What type of end piece does the RE 10 require ? Jerl
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx]On
> Behalf Of Jordan, Jim
> Sent: Wednesday, February 02, 2005 12:47 PM
> To: harp-l@xxxxxxxxxx
> Subject: [Harp-L] EV RE10
>
>
> Since both Carlos Del Junco and Jason Ricci and Chris Michalek have been
> using the RE10, I couldn't resist buying one.  I must say, it has a nice
> compressed tone for a vocal style mic.  It was also smaller than I
> imagined.
> Is the RE10 the new harp mic favorite?
> Sorry if I excluded any pros out there that have been using this mic.
> Jim
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
> ------------------------------
>
> Message: 12
> Date: Thu, 3 Feb 2005 14:57:35 -0500
> From: "Jordan, Jim" <JJordan@xxxxxxxxxxxxxx>
> Subject: RE: [Harp-L] EV RE10
> To: "adams, john" <adams_john@xxxxxxx>, "dfwhoot" <dfwhoot@xxxxxxxxx>,
> <harp-l@xxxxxxxxxx>
> Message-ID:
> <269226D2E85E6743B37D51D500CBE11C9F78B6@xxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> I'm using XLR mic cord attached to a Lo to Hi Z impedance transformer to
> plug into an amp.
>
>
> -----Original Message-----
> From: adams, john [mailto:adams_john@xxxxxxx]
> Sent: Thursday, February 03, 2005 2:35 PM
> To: dfwhoot; Jordan, Jim; harp-l@xxxxxxxxxx
> Subject: RE: [Harp-L] EV RE10
>
>
> It uses a standard XLR mic cord.
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx] On
> Behalf Of dfwhoot
> Sent: Thursday, February 03, 2005 2:14 PM
> To: Jordan, Jim; harp-l@xxxxxxxxxx
> Subject: RE: [Harp-L] EV RE10
>
> What type of end piece does the RE 10 require ? Jerl
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx]On
> Behalf Of Jordan, Jim
> Sent: Wednesday, February 02, 2005 12:47 PM
> To: harp-l@xxxxxxxxxx
> Subject: [Harp-L] EV RE10
>
>
> Since both Carlos Del Junco and Jason Ricci and Chris Michalek have been
> using the RE10, I couldn't resist buying one.  I must say, it has a nice
> compressed tone for a vocal style mic.  It was also smaller than I
> imagined. Is the RE10 the new harp mic favorite? Sorry if I excluded any
> pros out there that have been using this mic. Jim
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
>
> ------------------------------
>
> Message: 13
> Date: Thu, 03 Feb 2005 15:28:48 -0500
> From: IcemanLE@xxxxxxx
> Subject: Re: Fw: [Harp-L] Amp review by Carlos del Junco
> To: plavio@xxxxxxxxxxxx (Pierre)
> Cc: harp-l@xxxxxxxxxx
> Message-ID: <282C772E.3E317C80.0074B732@xxxxxxx>
> Content-Type: text/plain; charset=iso-8859-1
>
> A lot of Carlos' unique sound comes from the vintage analog echo unit he
uses. It adds a bit of distortion/warmth to the mix.
>
> The guy with the best muted Miles Davis tone on harmonica is Phil Wiggins.
He gets the tone by how he holds the harmonica and the way he shapes his
notes.
>
> The Iceman
>
>
> ------------------------------
>
> Message: 14
> Date: Thu, 3 Feb 2005 15:40:43 -0500
> From: "Leon & Gail Albin" <spock@xxxxxxxxxxx>
> Subject: [Harp-L] maybe this will help
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <200502032040.j13KelOj028931@xxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> This came to me today on my 'site of the day'.  I think it will help some
of
> us who are not that experienced in music and rhythm....Gail
>
> Science of Music
>
>  <http://www.exploratorium.edu/music/> http://www.exploratorium.edu/music/
>
> What is music? Is birdsong music? How about the tap-tap-tap of a hammer,
or
> the wail of a creaking door? Is playing a garbage can different than
playing
> a drum? Explore the science of music with us, through these online
exhibits,
> movies, and questions. Along the way, you can compose, mix, dance, drum,
> experiment, and above all.listen.
>
>
>
>
>
> ------------------------------
>
> Message: 15
> Date: Thu, 03 Feb 2005 20:53:11 +0000
> From: "Steve Shaw" <moorcot@xxxxxxx>
> Subject: [Harp-L] Norman's Harmonica Centre
> To: harp-l@xxxxxxxxxx
> Message-ID: <BAY11-F153911C04BDC89D4F0C659A27F0@xxxxxxx>
> Content-Type: text/plain; format=flowed
>
> Norman's website has been non-functional for several months, and now it's
> disappeared.  Are you there Norman......?
>
> Steve
>
> http://mysite.wanadoo-members.co.uk/trad_irish_harmonica
> HEAR my CD clips: http://www.gjk2.com/steveshaw/cd.htm
> READ review of my CD: http://www.irishmusicreview.com/sshaw.htm
>
>
>
>
> ------------------------------
>
> Message: 16
> Date: Thu, 3 Feb 2005 16:06:57 EST
> From: Snaruhn@xxxxxxx
> Subject: [Harp-L] Re:Embossing
> To: ludobeckers@xxxxxxxxxxx
> Cc: harp-l@xxxxxxxxxx
> Message-ID: <a9.6c5877fa.2f33ec71@xxxxxxx>
> Content-Type: text/plain; charset="US-ASCII"
>
> Ludo wrote:
>
> < With all respect for Siegfried, I believe he misunderstands what is
meant
> by the
> < term "embossing"; it is NOT working at the reedtip end, but along the
sides
> of the slots.<
>
> No, no, Ludo, I know exactly what "embossing" means. When you read once
again
> my
> post of  Jan 27th you`ll find nothing what points to working the reedtip.
In
> the contrary,
> I said eg.:
>
> << It (embossing) should be done on both plate sides. >
>
> Then, I explained the why.
>
> But, Ludo, I think that you have misunderstood where the embossing is
> to be done:
>
> < ........ but along the sides of the slots. >
>
> No, no, not along the slot sides but at the slot end. Why do you think
> Richard Hunter
> used a coin for embossing? Because it matches exactly the slot.
>
> Siegfried
>
>
>
>
> ------------------------------
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L mailing list
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
> End of Harp-L Digest, Vol 18, Issue 7
> *************************************





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