Re: [Harp-L] Re:PB



There is a saying among seasoned musicians to young musicians,
"if you want to learn the music you have to go to the root."

Many players, esp.. guitar and harp learn from a copying a mentor but never delve into the mentors mentor.

Guitarists want to play like SRV but don't take the time to listen and learn from the guys he learned from.
They become a boring lifeless clone.


When someone like Howard Levy sites Butterfield as an inspiration his young followers should take notice.
Butterfield was technical but had a truckload of soul sauce on top. Levy became technical but learned to keep the soul from Butter.


I hear a lot of overblow players that learn Howard's technique but have zilch for soul. Maybe they ought to back up a little
and check out PB.


mike


On Dec 5, 2005, at 9:54 PM, Rob Paparozzi wrote:


chris michalek said, "Frankly I don't understand why people hold
Butterfield in such high esteem

Chris, you really didn't think "I" was gonna let you slide on this, did
YOU?,-))))


As most have mentioned, it's probably more of an age thing.....many of
US older cats are indebited to this GREAT player that opened up the
possibilities of a different "way to go" on Diatonic in the 60's....Funk,
Soul, R&B and Blues with a 'twist' ...L.Walter & then Junior Wells cracked
opened this door and Butterfield proceeded to take the door 'off the
hinges'.!


So if you talk to players like myself and Howard Levy and many others
from that era...they will only hold Mr.PB in HIGHEST reverence and esteem.
I find his Tone immpeccable and Ideas brilliant.


I respect your opinion tho , love your sound and technique....so play on
my friend and happy holidays.


PS...I'm having some "ear wax removal swabs" sent to your house so you can
then re-listen to Paul B,-)
(totally kidding ,-))))))))))))))))))))))))))))))))))))))))...love you
madly!,-)


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