[Harp-L] RE: Harp-L Digest, Vol 24, Issue 77

["MLeFree" <mlefree@xxxxxxxxxxxxxxxxxxxxxx>]

> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx]On
> Behalf Of harp-l-request@xxxxxxxxxx
> Sent: Sunday, August 28, 2005 11:38 AM
> To: harp-l@xxxxxxxxxx
> Subject: Harp-L Digest, Vol 24, Issue 77
>
>
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>
>
> Today's Topics:
>
>    1. Going to New York (Robert Gaustad)
>    2. Gapping,	"Golden Melody" and Overblowing questions (- a bit
>       long) (drori hammer)
>    3. Re: Richard Newell/King Biscuit Boy (Joe and Cass Leone)
>    4. Photo's of arcing embossing and tipscooping (Tinus)
>    5. to Madcat and Mojo Red (Gabriel PAYEN)
>    6. Re: Richard Newell/King Biscuit Boy (Jerry Kitich)
>    7. RE: Re: minidisc recording (MLeFree)
>    8. Re: Richard Newell/King Biscuit Boy (Joe and Cass Leone)
>    9. RE: Re: minidisc recording (Bobbie Giordano)
>   10. RE: Re: minidisc recording (Bobbie Giordano)
>   11. need help on JR blowoff setlist (Garry Hodgson)
>   12. long island (chris o'sullivan)
>   13. Automatic thanks. (sean stephens)
>   14. July-Aug issue of American Harmonica Newsmagazine
>       (Philharpn@xxxxxxx)
>   15. Tabs : Days of Wine and Roses (12th pos.) (Planet Harmonica)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 27 Aug 2005 00:47:04 -0700
> From: "Robert Gaustad" <robertgaustad@xxxxxxxxxxx>
> Subject: [Harp-L] Going to New York
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <200508270747.j7R7l77G000784@xxxxxxxxxx>
> Content-Type: text/plain;	charset="us-ascii"
>
> Hi folks, especially you New Yorkers:
>
> I'm heading to New York on Sept. 2, and staying until the 15th.  I'll be
> visiting family in Stony Brook (Eastern Long Island) and Manhattan and I'm
> looking for some nice harmonica friendly jams.
>
> I'll also be making a side trip to D.C. for some business so I
> might want to
> find a jam there or close to Ashburn, Va.  If anybody in these
> areas has any
> suggestions for good jams close to where I'm going, I'd very much
> appreciate
> it.  I found some jams on Long Island but I can't tell from what I found
> which ones might be harmonica friendly and which ones might be no fun at
> all.
>
> Thanks in advance for your help.
>
> Robert G.
>
>
> ------------------------------
>
> Message: 2
> Date: Sat, 27 Aug 2005 07:53:13 -0700 (PDT)
> From: drori hammer <drori_hammer@xxxxxxxxx>
> Subject: [Harp-L] Gapping,	"Golden Melody" and Overblowing questions
> 	(- a bit long)
> To: harp-l@xxxxxxxxxx
> Message-ID: <20050827145314.40490.qmail@xxxxxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=iso-8859-1
>
> Hi -
> I have recently started to learn to overblow (some success with
> the #6 OB, less with the #5 &#4 - virtually none with the #1 and
> with the overdraws - but still working on it!). Also, I bought a
> few Hohner Golden Melodies, having heared that they are excellent
> harps, and that a lot of OB players use them (is this true? I
> mean other then Howard L. and Carlos D-J that I know of?)
> However, the last few gigs I have had trouble with reeds
> "sticking", that is, not responding when I hit them powerfully (I
> tend to blow hard in a gig situation, I guess, playing Blues).
> I have tried widening the gaps on these particular reeds,
> thinking that may help. However I am not very experienced at
> "tweaking" and I don`t know if I am ding it right - although
> Iprod and push at the reeds for a long time, I do`nt see a
> noticable change in the gap (and I am afraid to use too much
> force and break them), and can`t seem to get rid of this problem.
> The "reed sticking problem appears only on some of my GM harps,
> and only on some reeds?
> Are GMs made specifically to be played more gently the Marine
> bands or special 20s?
> Can anyone give me any tips on the right way to change gapping?
> Grateful for any help
> Hammer
> Tel Aviv, Israel
>
>
> ---------------------------------
>  Start your day with Yahoo! - make it your home page
>
> ------------------------------
>
> Message: 3
> Date: Sat, 27 Aug 2005 11:38:44 -0400
> From: Joe and Cass Leone <leone@xxxxxxxx>
> Subject: Re: [Harp-L] Richard Newell/King Biscuit Boy
> To: harp-l@xxxxxxxxxx
> Message-ID: <A70568A8-1710-11DA-8E81-000A95DE5A16@xxxxxxxx>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
> On Aug 27, 2005, at 1:31 AM, hazcon wrote:
>
> > I picked up an album of his years ago in a junk shop,his stuff AFaik
> > was never released in Newzealand.The owner said an american merchant
> > sailor had lost his money in a card game and had had to sell  his
> > watch,records etc etc so as to be able to still send his wife state
> > side some pay...thats the blues..
> >           Anyway I near wore that record out and as proof that it was
> > a good one, someone stole it after one of our parties...
> >              Richard could sure play..may his new harp not be a
> > stringed one. ;-)
> > Rick
> > in NZ
> >
>
>   I had his album entitled "King Biscuit Boy". The one he did with Alan
> Toussaint. I thought that anyone with the audacity to call themselves
> that (considering I heard the REAL one live....Rice Miller), would HAVE
> to be good. There was very very little harp on the vinyl. The tune
> mentioned by Tony Eyers was about the only good one on the album. Don't
> shoot me, it's just my opinion.
> smo-joe
>
>
>
> ------------------------------
>
> Message: 4
> Date: Sat, 27 Aug 2005 19:52:36 +0200
> From: "Tinus" <tinus@xxxxxxx>
> Subject: [Harp-L] Photo's of arcing embossing and tipscooping
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <000601c5ab30$1c0c3870$5096fea9@ds9997>
> Content-Type: text/plain;	charset="us-ascii"
>
>
> I have put up a number of photo's of the results of arcing, embossing
> and tipscooping I do on my website.
> I am working on pictures of the process (but it is difficult to press
> the little button while you are trying to hold a harp and a tuning fork
> at the same time :-)
>
> Anyway, please take a look at:
>
> http://www.overblow.com/?menuid=138
>
> And the following pages.
>
> While you are at it you might also take a look at the new look of my
> other website http://tenhole.com
>
> I have reworked tenhole.com so that it is ready for the articles I plan
> to write about what they are going to try to teach me at the
> conservatory and how it aplies to the harmonica.
>
> Tinus
> http://tenhole.com
> http://overblow.com
>
>
>
> ------------------------------
>
> Message: 5
> Date: Sat, 27 Aug 2005 20:21:27 +0200
> From: "Gabriel PAYEN" <gabriel.payen@xxxxxxxxxxxxxxxx>
> Subject: [Harp-L] to Madcat and Mojo Red
> To: "Harp-L" <harp-l@xxxxxxxxxx>
> Message-ID: <002001c5ab34$23bc4fc0$6401a8c0@FIXEFAMILLE>
> Content-Type: text/plain;	charset="iso-8859-1"
>
> Please, Madcat, and Mojo, could you e-mail froggy as soon as
> possible? thanks in advance!
>
> Meanwhile, I am still waiting for a complete report of what
> happened in Kansas City, day to day, hour to hour!!!!
>
>
>
> All the Best
>
> gaby
>
>
> ------------------------------
>
> Message: 6
> Date: Sat, 27 Aug 2005 14:24:03 -0400
> From: "Jerry Kitich" <jkitich@xxxxxxxxx>
> Subject: Re: [Harp-L] Richard Newell/King Biscuit Boy
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <000c01c5ab34$811ba990$6c072418@a366da20e703485>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> 	reply-type=response
>
> The one album of his that I listened to extensivley was Urban
> Renewell, lots
> of harp etc.  I may take a mosey down to the public library & see
> what else
> they have of his.
> ----- Original Message -----
> From: "Joe and Cass Leone" <leone@xxxxxxxx>
> To: <harp-l@xxxxxxxxxx>
> Sent: Saturday, August 27, 2005 11:38 AM
> Subject: Re: [Harp-L] Richard Newell/King Biscuit Boy
>
>
> >
> > On Aug 27, 2005, at 1:31 AM, hazcon wrote:
> >
> >> I picked up an album of his years ago in a junk shop,his stuff
> AFaik was
> >> never released in Newzealand.The owner said an american
> merchant sailor
> >> had lost his money in a card game and had had to sell  his
> watch,records
> >> etc etc so as to be able to still send his wife state side some
> >> pay...thats the blues..
> >>           Anyway I near wore that record out and as proof that
> it was a
> >> good one, someone stole it after one of our parties...
> >>              Richard could sure play..may his new harp not be
> a stringed
> >> one. ;-)
> >> Rick
> >> in NZ
> >>
> >
> >  I had his album entitled "King Biscuit Boy". The one he did with Alan
> > Toussaint. I thought that anyone with the audacity to call
> themselves that
> > (considering I heard the REAL one live....Rice Miller), would
> HAVE to be
> > good. There was very very little harp on the vinyl. The tune
> mentioned by
> > Tony Eyers was about the only good one on the album. Don't
> shoot me, it's
> > just my opinion.
> > smo-joe
> >
> > _______________________________________________
> > Harp-L is sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
> > http://harp-l.org/mailman/listinfo/harp-l
> >
>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Sat, 27 Aug 2005 13:52:09 -0600
> From: "MLeFree" <mlefree@xxxxxxxxxxxxxxxxxxxxxx>
> Subject: RE: [Harp-L] Re: minidisc recording
> To: <harp-l@xxxxxxxxxx>
> Message-ID:
> 	<PIEEJNOLCOHOFHHNFIFDMECLCLAA.mlefree@xxxxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain;	charset="us-ascii"
>
> Ray Beltran wrote:
> > I don't know if this has been mentioned before, Michelle...
> > Be careful to choose mics that suit your needs. Mics that are
> > omnidirectional, with a pickup pattern that will collect sound from
> > nearly all around the mic, can result in recordings that contain too
> > much extraneous noise. Yes, even the conversation you're having while
> > listening to a performance may be picked up. I don't like the "T" style
> > mics for this reason. I chose mics with a narrower pickup pattern,
> > unidirectional mics, in order to pickup less of the unnecessary noise
> > one hears at a live performance. You still get the sense of a live
> > performance with background noise; just less of it. You can also go
> > extreme and choose a "shotgun" style mic with an extremely narrow
> > pickup pattern, but that's not necessary, and may present an entirely
> > different set of problems altogether.
>
> I have a single-point stick mic' that I bought several years ago when I
> bought my former cassette recording rig (a live recording casualty).  That
> was before I even knew of the twin-gooseneck style mic's.  The stick mic'
> has an adjustable pickup pattern and seems to yield nice recordings for my
> needs anyhoo.  I don't have much live music recording experience dealing
> with amplified sound levels like those created by JR and his
> band.  I'm more
> used to recording acoustic music, so I derive great  benefit from good
> practical hints like you offer.  More experience applying such advice will
> be the key.
>
> > One more note: I usually place my recording equipment near the back of
> > the venue and above the height of the crowd, making sure that one of
> > the mics is pointed at the harp amp. I'll always pick up sound from the
> > PA; I'm not worried about that. But sometimes I've had one mic pointed
> > at the harp amp, and another at a PA speaker. That makes for a good
> > mix. There's plenty of bleed over from one mic to the next, so it turns
> > out more balanced than would seem from the description here.
> >
> > Hope this helps.
>
> Ray, this kind of specific information is very helpful indeed!  I never
> would have thought of recording from the rear of a room.  I
> always go early
> and fight for a front and center seat.  Thank you so much!
>
> Michelle
>
>
>
>
>
>
> ------------------------------
>
> Message: 8
> Date: Sat, 27 Aug 2005 16:04:36 -0400
> From: Joe and Cass Leone <leone@xxxxxxxx>
> Subject: Re: [Harp-L] Richard Newell/King Biscuit Boy
> To: harp-l@xxxxxxxxxx
> Message-ID: <CABAA7F6-1735-11DA-BC1F-000A95DE5A16@xxxxxxxx>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
> On Aug 27, 2005, at 2:24 PM, Jerry Kitich wrote:
>
> > The one album of his that I listened to extensivley was Urban
> > Renewell, lots of harp etc.  I may take a mosey down to the public
> > library & see what else they have of his.
> >
>
>   Well our library is lame, but you have sparked my interest. Obviously
> he has some good stuff out there and see that's the problem with making
> a 'marginal' album. It kills the possibility of some future sales. IF
> people specialize in a particular instrument, AND that instrument has
> either a strong (or DEDICATED..as in the case of harp) base, they
> should endeavor to give the listener/potential customer something to
> sink their teeth into.
>   Unfortunately I found the King Biscuit Boy album to be a lot of jive
> singing and the harp was too scant to even consider it a harp 'related'
> album. This even in view of the fact that on the album cover (Alone and
> with NO other band members) he is standing at Bourbon and Royal sts in
> the 'Vieu Carre' district of NOLa,  AND brandishing a harp in his hand.
> I would almost consider it false advertising as the 43.5 minutes
> contains the OTHER band members about 68 SECONDS of harp.
>   Too bad cause he was a good player and a nice kid..... god rest his
> soul
> smokey-joe
>
>
>
> ------------------------------
>
> Message: 9
> Date: Sat, 27 Aug 2005 16:17:13 -0400
> From: Bobbie Giordano <bogio@xxxxxxxxxxxxx>
> Subject: RE: [Harp-L] Re: minidisc recording
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <3.0.32.20050827161659.00c7a690@xxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> At 01:52 PM 8/27/2005 -0600, MLeFree wrote:
> >Ray, this kind of specific information is very helpful indeed!  I never
> >would have thought of recording from the rear of a room.  I
> always go early
> >and fight for a front and center seat.  Thank you so much!
>
> I agree...  Thanks, Ray!
>
> Michelle, depending on the good will of the band and/or venue,
> sometimes you
> can get permission to plug into the PA, which of course, cuts out a LOT of
> non-band extraneous noises.  But, then, the crowd noise is sometimes what
> folks actually want in the mix.
>
> Also, as Ray implied, a less omni-directional mic may be problematic,
> especially if used, as you were saying, right up front.  You could end up
> getting almost nothing BUT harmonica in the mix... but, maybe
> that's a good
> thing, eh?  :)
>
> Bobbie
>
>
>
> ------------------------------
>
> Message: 10
> Date: Sat, 27 Aug 2005 16:22:15 -0400
> From: Bobbie Giordano <bogio@xxxxxxxxxxxxx>
> Subject: RE: [Harp-L] Re: minidisc recording
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <3.0.32.20050827162210.0097e170@xxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
> Oh, and another thing, many MD mics come ready to plug right into the
> line-out or mic-out jack, but it's normally better if you can separate the
> mic from the machine a bit with a mic extension line.  The whirring of the
> minidisc can actually be loud enough to mess up your recording quality...
> more with Sonys, so I've heard. ;)
>
> I have a Sharp MD-MT821 that I LOVE, but unfortunately, it currently needs
> repair.  :(  Sure wanted it for SPAH, durn it!
>
> Bobbie
>
>
>
> ------------------------------
>
> Message: 11
> Date: Sat, 27 Aug 2005 18:30:44 -0400 (EDT)
> From: Garry Hodgson <garry@xxxxxxxxxxxx>
> Subject: [Harp-L] need help on JR blowoff setlist
> To: Harp-L@xxxxxxxxxx
> Message-ID: <2005082718291125181775@xxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset="us-ascii"
>
>
> hey folks -
>
> a friend of mine is trying to reconstruct the setlist from the the
> pre-SPAH jason ricci harmonica blowoff in KC.  he's got most of
> it together, but there are a few holes he could use some help with.
> if anyone here could fill in the blanks, or make corrections, it'd
> be a big help.
>
> here it is so far:
>
> Jason Ricci and New Blood
> 2nd Annual Harmonica Blowout
> Knuckleheads
> Kansas City, Missouri
>
> In Association with SPAH
>
>
> Source: AKG c480b/ck61 > Dmod UA-5 > JB3
> Transfer: JB3 > Firewire > PC > Sound Forge 7.0 > Flac (level 5)
> Taped by: kcmule and momule
> Transferred/mastered/seeded by: kcmule
>
>
> 4 hours, 13 minutes, and 17 seconds worth
> of finished product that sits on 5 discs.
>
> ---
> Set One: (49:58)
>
> Jason Ricci and New Blood
>
> 01 Baked Potato
> 02 Mellow Down Easy
> 03 Blue & Lonesome
> 04 Sissy Strut
> 05 Intros
>
> ---
> Set Two: (47:44)
>
> Joe Filisko
>
> 01 Train imitation Medley
> 02 ??
> 03 Black Pine Waltz
> 04 Harmonica Rag
> 05 Lost John/Fox Chase Medley
> 06 Man Trouble Blues
> 07 Medley (of crossharp tunes)
> 08 ??
> 09 ??
> 10 Outro
>
>
> ---
> Set Three: (64:21)
>
> 01 Hip Shake 1,2,3,4
> 02 Tuning/Intro/etc
> 03 ?? Roller Boy 1,2,3,5,6
> 04 Intro
> 05 ?? I'm So Sorry 2,3,5,6,7
> 06 Tuning/Intro/etc
> 07 Shake Rattle and Roll 2,3,5,6,8 - Dedicated to Big Joe Turner
> 08 Conversation
> 09 Cross Cut Saw 2,3,5,6,15
> 10 Conversation
> 11 Lollypop Mama 2,3,5,6,9
> 12 Conversation
> 13 Hoochie Coochie Man / Early In The Morning 2,3,5,6,10,13
>
>
> ??? When did Brian from TX leave the stage ???
>
> ---
> Set Four: (47:45)
>
> 01 ?? 2,3,6,8
> 02 Keep It Up 2,3,6,11,12
> 03 Love Me Like a Man 2,3,6,11,12
> 04 Gonna Spoil Ya 2,3,6,11,12
> 05 Fine & Mellow 2,3,6,11,12
> 06 ?? 2,3,6,11,12
> 07 Baby, What You Want Me To Do? 2,3,6,11,12
> 08 Outro and Pat Ramsey Story
>
>
>
> ---Set Five: (43:29)
>
> Pat Ramsey
>
> 01 Intro
> 02 Walkin' by Myself
> 03 I Need Money
> 04 Georgia Swing
> 05 Blues is a Felling
> 06 Too Many Drivers
> 07 ?? 1,2,3,4,11,14
>
>
> Musicians:
> 1  Jason Ricci - Harp, Vocals
> 2  Shawn Starsky - Guitar
> 3  Steve Johnson - Drums
> 4  Willie ?? - Bass
> 5  Dave "Elmo" Bailey - vocals
> 6  Brian from TX - Bass
> 7  Nicolas Fouquet aka, froggy - harp
> 8  Allen Holmes - harp
> 9  Jimmie Meade - harp
> 10 Buzz Krantz - vocals
> 11 Dennis Gruenling - harp
> 12 Gina Fox - vocals
> 13 Joe Filisko - vocals, harp
> 14 Pat Ramsey
> 15 Gino Bambino - harp
>
>
> Knuckleheads is basically part of Fog Cycles tucked
> away between the freeway and railroad tracks.  You
> could throw a rock and easily hit either of them.
> This recording, like any live recording, contains the
> sounds surrounding the venue. In this case the couple
> of trains you hear will be the most surprising.
>
>
> ----
> Garry Hodgson, Technical Consultant, AT&T Labs
>
> Your love, your anger, your kindness, your hate.
> All of it creates the future for you and your children.
> What kind of future are you creating today?
>
>
> ------------------------------
>
> Message: 12
> Date: Sun, 28 Aug 2005 14:46:44 +0000
> From: "chris o'sullivan" <proharper@xxxxxxxxxxx>
> Subject: [Harp-L] long island
> To: harp-l@xxxxxxxxxx
> Message-ID: <BAY102-F1610251E53C73BA27ED70EBEAC0@xxxxxxx>
> Content-Type: text/plain; format=flowed
>
> check out this message board it is run by the jammers and the jam runners
>
> http://launch.groups.yahoo.com/group/LIBluesJam/
>
> I lived on LI in the stony Brook area fore 35 years and found
> that most jams
> on the Island are very harp friendly.
>
>
>
>
> ------------------------------
>
> Message: 13
> Date: Sun, 28 Aug 2005 17:05:44 +0100 (BST)
> From: sean stephens <thepriapist@xxxxxxxxxxx>
> Subject: [Harp-L] Automatic thanks.
> To: harp-l@xxxxxxxxxx
> Message-ID: <20050828160544.45423.qmail@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=iso-8859-1
>
> Yeah,thanks guys for the info re the tune,much appreciated.
> Having heard it ,I had got to wondering whether the T-Birds had
> ever cut it because I used to have a video of the band recorded
> c1984  live in The Marquee London.They did a similar if not the
> actual song.
> Great playing at any rate,wish I still had that video!
> Regards Sean.
>
>
> ---------------------------------
> Yahoo! Messenger  NEW - crystal clear PC to PC calling worldwide
> with voicemail
>
> ------------------------------
>
> Message: 14
> Date: Sun, 28 Aug 2005 13:03:29 EDT
> From: Philharpn@xxxxxxx
> Subject: [Harp-L] July-Aug issue of American Harmonica Newsmagazine
> To: harp-l@xxxxxxxxxx
> Message-ID: <20b.7f73a1a.30434861@xxxxxxx>
> Content-Type: text/plain; charset="US-ASCII"
>
> For those of you who don't subscribe to the bi-monthly American Harmonica
> Newsmagazine, the July Aug issue is out.
> * Cover story is on Sam Hinton, the master of the solo diatonic
> harmonica's
> 2-CD box set with extensive liner notes. He also plays the Hohner
> Chordomonica
> II (it has 2 buttons, not one!)
> *How to play positions on the different keys of chromatic harps
> by Joe Leone
> * Homespun Tapes releases DVDs on Peter Madcat Ruth and Norton
> Buffalo videos
> * Charlies Musselwhite Deluxe Edition released
> * William Galison is sideman on Carly Simon's new CD
> * What is best instrument to play by fiddle-style harmonica
> player Cara Cooke
> * Bill Hones trip down the Grand Canyon with his harp
> * Review of the Billboard book "You Don't Need A Record Deal!
> Your Survival
> Guide for the India Music Revolution"
> * May Bay debuts serioes of 12 books in the Copmplete Diatonic Harmonica
> Series that shows you how to play all the popular positions and
> blues formats,
> complete with lots of illustrations showing some of the many harp layouts
>
> Contact me off list for where to send $3 for postage and handling
> of a free
> copy.
> Phil Lloyd, contributing editor
> American Harmonica Newsmagazine
>
>
> ------------------------------
>
> Message: 15
> Date: Sun, 28 Aug 2005 19:36:38 +0200
> From: "Planet Harmonica" <lists@xxxxxxxxxxxxxxxxxxx>
> Subject: [Harp-L] Tabs : Days of Wine and Roses (12th pos.)
> To: <harp-l@xxxxxxxxxx>
> Message-ID: <003401c5abf7$0b8b7d90$0a6f790a@generic>
> Content-Type: text/plain;	charset="iso-8859-1"
>
> A few weeks back (or was it months ?) we had a discussion about
> 12th position and how to go about leanring to play in 12th. I
> mentioned that the jazz tune Days of Wine and Roses was
> instrumental in ghelping me get to grips with 12th, and
> incidentally it happens to be in F au naturel, which means it's
> the perfect tune to practice on everyone's favourite C harp. At
> the time I promised I would post the tabs on my weblog, and now
> it's done. You can find them at http://harmonica.typepad.com.
>
> Ben FELTEN
> http://harmonica.typepad.com
>
> ------------------------------
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
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> End of Harp-L Digest, Vol 24, Issue 77
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>